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Rethinking Brechtian Film Theory and Cinema
Rethinking Brechtian Film Theory and Cinema
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A01=Angelos Koutsourakis
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Author_Angelos Koutsourakis
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Brechtian
Category1=Non-Fiction
Category=APFA
Category=APFB
Category=APFG
Category=ATFA
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Category=ATFG
COP=United Kingdom
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Film Theory
Language_English
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softlaunch
World Cinema
Product details
- ISBN 9781474474658
- Weight: 418g
- Dimensions: 156 x 234mm
- Publication Date: 25 Aug 2020
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
Making a compelling argument for the continuing relevance of Brechtian film theory and cinema, this book offers new research and analysis of Brecht the film and media theorist, placing his scattered writings on the subject within the lively film theory debates that took place in Europe between the 1920s‐1960s. Furthermore, Angelos Koutsourakis identifies key points of convergence between Brecht’s ‘unfinished project’ and contemporary film and media theory. With case studies of films ranging from Robert Roberto Rossellini’s Paisà to Bernardo Bertolucci’s 1900 and Joshua Oppenheimer’s The Act of Killing amongst others, this study challenges many existing preconceptions about Brecht’s theoretical position and invites readers to discover new ways of apprehending and making use of Brecht in film studies.
Angelos Koutsourakis is Professor in Film and Cultural Studies at the Centre for World Cinemas and Digital Cultures, University of Leeds. He is the author of Kafkaesque Cinema (2024), Rethinking Brechtian Film Theory and Cinema (2018), Politics as Form in Lars von Trier (2013) and the co-editor of Cinema of Crisis: Film and Contemporary Europe (2020), and The Cinema of Theo Angelopoulos (2015).
Rethinking Brechtian Film Theory and Cinema
€38.99
