Rethinking Dance History

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African American Dance
Akram Khan
Alexandra Carter
Alonzo King
American Modern Dance
Ananya Chatterjea
Anna Pakes
Astrid von Rosen
Balanchine
Ballet
Ballet Comique
Beth Genne
Cara Tranders
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Choreography
Corps De Ballet
cultural memory
Dance Heritage Coalition
Dance Heritages
dance historiography research methods
Dance History
dance theory
De Keersmaeker
decolonising methodologies
digital archiving
Embodiment
embodiment in performance
Emily E. Wilcox
English National Ballet
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Geraldine Morris
Helen Thomas
Henrietta Bannerman
Heritage
Historiography
Indian Classical Dance
Indian Cultural Nationalism
Jill Nunes Jensen
Joellen A. Meglin
Karen Eliot
La Sylphide
Le Sacre Du Printemps
Lena Hammergren
Linda J. Tomko
Local Dance Community
Loie Fuller
Marcia B. Siegel
Marie Taglioni
Methodology
Mimesis
Modern Dance
Nijinsky
performance studies
Postmodern Dance
Prarthana Purkayastha
Repertory
Research
Rethinking Dance History
Royona Mitra
Takiyah Nur Amin
Vaslav Nijinsky
Victoria Marks
Young Man

Product details

  • ISBN 9781138682900
  • Weight: 520g
  • Dimensions: 156 x 234mm
  • Publication Date: 21 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The need to ‘rethink’ and question the nature of dance history has not diminished since the first edition of Rethinking Dance History. This revised second edition addresses the needs of an ever-evolving field, with new contributions considering the role of digital media in dance practice; the expansion of performance philosophy; and the increasing importance of practice-as-research. A two-part structure divides the book’s contributions into:

• Why Dance History? – the ideas, issues and key conversations that underpin any study of the history of theatrical dance.

• Researching and Writing – discussions of the methodologies and approaches behind any successful research in this area.

Everyone involved with dance creates and carries with them a history, and this volume explores the ways in which these histories might be used in performance-making – from memories which establish identity to re-invention or preservation through shared and personal heritages. Considering the potential significance of studying dance history for scholars, philosophers, choreographers, dancers and students alike, Rethinking Dance History is an essential starting point for anyone intrigued by the rich history and many directions of dance.

Geraldine Morris is a Reader in Dance and Programme Leader of the MA in Ballet Studies at the University of Roehampton. Larraine Nicholas is Honorary Research Fellow in the Dance Department at the University of Roehampton.