Regular price €39.99
Title
A01=Doug Davis
A01=James Castonguay
A01=Lisa Parks
A01=Marcus Bullock
A01=Mary Layoun
A01=Mike Allen
A01=Patricia Mellencamp
A01=Rebecca Decola
A01=Robert Ricigliano
A01=Tony Grajeda
A01=Wendy Kozol
Author_Doug Davis
Author_James Castonguay
Author_Lisa Parks
Author_Marcus Bullock
Author_Mary Layoun
Author_Mike Allen
Author_Patricia Mellencamp
Author_Rebecca Decola
Author_Robert Ricigliano
Author_Tony Grajeda
Author_Wendy Kozol
Category=JBCT
Category=JPS
Category=JPWL
censorship
current events
danger
digital technologies
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
fear
film
global security
insecurity
intermediary sources
international relations
Internet
interpretative frame
media
media personalities
media studies.
Patriot Act
politics of war
popular culture
radio
satellite imaging
strategic thinking
suffering
technology
television
television programming
terrorism

Product details

  • ISBN 9780813538303
  • Weight: 454g
  • Dimensions: 152 x 229mm
  • Publication Date: 28 Apr 2006
  • Publisher: Rutgers University Press
  • Publication City/Country: US
  • Product Form: Paperback
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Analysts today routinely look toward the media and popular culture as a way of understanding global security. Although only a decade ago, such a focus would have seemed out of place, the proliferation of digital technologies in the twenty-first century has transformed our knowledge of near and distant events so that it has become impossible to separate the politics of war, suffering, terrorism, and security from the practices and processes of the media.

This book brings together ten path-breaking essays that explore the ways our notions of fear, insecurity, and danger are fostered by intermediary sources such as television, radio, film, satellite imaging, and the Internet.  The contributors, from a wide range of disciplines, show how both fictional and fact-based threats to global security have helped to create and sustain a culture that is deeply distrustful.  Topics range from the Patriot Act, to the censorship of media personalities, to the role that television programming plays as an interpretative frame for current events.

Designed to promote strategic thinking about the relationships between media, popular culture, and global security, this book is essential reading for scholars of international relations, technology, and media studies.

 

Andrew Martin is an associate professor and chair of the English department at the University of Wisconsin, Milwaukee. Patrice Petro is a professor and director of the Center for International Education at the University of Wisconsin, Milwaukee.