Rethinking Historical Genres in the Twenty-First Century

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Cinematic Historian
cinematic historiography
Constructionist Genre
Contemporary Human Rights Movement
Digital Historical Games
digital history platforms
Documentary Device
Epistemic Genre
Epistemic Options
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eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
experimental history methods
Family Memoirs
Formulaic Conventions
Gaming History
genre
Genre Choices
Grady College
graphic narrative studies
Graphic Narratives
Historical Genres
historiography
historiography theory
History Workshop
Inter-personal Communication
Occupy Wall Street
Pavel Durov
postcolonialism
postmodern historical representation
postmodernism
practical past
Practitioner Historians
Research Excellence Framework
Rethinking History
Social Media
Social Media Genre
trauma memoir analysis
Tv Footage
Unconventional History
Young Man

Product details

  • ISBN 9780367029753
  • Weight: 320g
  • Dimensions: 156 x 234mm
  • Publication Date: 08 Jan 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book deals with the way historical genres are theorized and practiced in the twenty-first century. In the context of the freedoms inspired by postmodernism and enabled by the development of innovative textual and graphic platforms, new theories of history view genres as flexible living forms that inspire more creative and experimental representations of the past. New ways of articulating history compete with the traditional model of historical prose. Acknowledging the current diversity in theories and practices, and assuming the historicity of historical genres, this book engages the reality of historical genres today and explores new directions in historical practice by examining these new forms of representing the past. Thus, without denying the validity of traditional and conventional forms of history (and arguing that these forms remain valid), this book surveys the production of what might be considered new historical genres practiced today, in which the idea of "practical past" is put in practice. Preceded by the introduction and two theoretical articles on historical genres, some of the new forms of history analysed in this book are: historical re-enactments, gaming history, social media, graphic narratives and first-person narratives of, memoirs of trauma, and film-history. This book was originally published as a special issue of Rethinking History.

Jaume Aurell is Professor at the Department of History in the University of Navarra, Spain. He is the author of Authoring the Past: History, Autobiography, and Politics in Medieval Catalonia (2012) and Theoretical Approaches on Historians’ Autobiographies (2016). He is the editor of the Series, Rewriting the Middle Ages in the Twentieth Century (Brepols).