Rethinking Jewishness in Weimar Cinema

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Anders als die Andern
Antisemitism
antisemitism in films
assimilation
avant-garde
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Category=JBCC
Category=JBSR
Category=NHTB
comedians
digital reconstruction
E.A. Dupont
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eq_history
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eq_society-politics
film historiography
German culture
identity
Jargon-Theater
Jewish difference
Jewish filmmaking
Jewish humor
Jewish identity
Jewish passing
Jewish visibility
Jewishness
Jews
Nazi cinema
Nazism
Ostjude
political transition
politicized homophobia
Richard Oswald
The Three from the Filling Station
Two Worlds
typecasting
volkisch propaganda
Weimar Republic
Yiddish Theater

Product details

  • ISBN 9781800739482
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Mar 2023
  • Publisher: Berghahn Books
  • Publication City/Country: GB
  • Product Form: Paperback
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The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish “outsiders” to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness – as religion, ethnicity, social role, cultural code, or text – these studies offer a wide-ranging exploration of an often overlooked aspect of German film history.

Barbara Hales is a Professor of History and Humanities at the University of Houston-Clear Lake. Her publications focus on film history of the Weimar Republic and the Third Reich. She is the author of Black Magic Woman: Gender and the Occult in Weimar Germany (Peter Lang, 2021). Along with Mihaela Petrescu and Valerie Weinstein, she also co-edited a volume entitled Continuity and Crisis in German Cinema, 1928-1936 (Camden House, 2016). Dr. Hales is President of the Center for Medicine After the Holocaust.