Rethinking Juan Rulfo's Creative World

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Amica Silentia Lunae
Arturo Ripstein
camera
Casa De La Cultura
Category=DSK
Comedia Ranchera
comparative cultural criticism
Consejo Nacional Para La Cultura
De Juan Rulfo
documentary photography analysis
El Indio
El Llano
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
escondida
gallo
Golden Cockerel
INI
Juan Pablos
Juan Rulfo
La Cordillera
La Escondida
La Quebrada
Las Monjas
Le Mo
llamas
llano
lucida
Mexican literary studies
modernist narrative techniques
National Homage
Noh Tradition
oro
Palacio De Bellas Artes
Para Ya
post-revolutionary Mexico
Resolute Approach
Revista Canadiense De Estudios
Roland Barthes photography theory application
Rulfo's Work
rulfos
Rulfo’s Work
spatial theory in literature
tierra
work
Young Man

Product details

  • ISBN 9781909662599
  • Weight: 220g
  • Dimensions: 170 x 247mm
  • Publication Date: 21 Jul 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Though primarily known for his haunting, enigmatic novel Pedro Páramo and the unrelenting depictions of the failures of post-revolutionary Mexico in his short story collection, El Llano en llamas, Juan Rulfo also worked as scriptwriter on various collaborative film projects and his powerful interventions in the area of documentary photography ensure that he continues to inspire interest worldwide. Bringing together some of the most significant names in Rulfian scholarship, this anthology engages with the complexity and diversity of Rulfo’s cultural production. The essays in the collection bring the Rulfian texts into dialogues with other cultural traditions and techniques including the Japanese Noh or "mask" plays and modernist experimentation in the Irish language. They also deploy diverse theoretical frameworks that range from Roland Barthes’ work on studium and punctum in photography to Henri Lefebvre’s ideas on space and spatiality and the postmodern insights of Jean Baudrillard on the nature of the simulacrum and the hyperreal. In this way, innovative approaches are brought to bear on the Rulfian texts as a way of illuminating the rich tensions and anxieties they evoke about Mexico, about history, about art and about the human condition.

Dylan Brennan completed his PhD in the Centre for Mexican Studies, University College Cork.

Nuala Finnegan is Professor in the Department of Spanish, Portuguese and Latin American Studies at University College Cork where she is Director of the Centre for Mexican Studies.