Rethinking Music through Science and Technology Studies

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actor-network theory
ANT
ARP
BBC Radiophonic Workshop
Black Boxes
Category=AV
Classical music instrument
Concert Pitch
Country Music
digital sound practices
Disciplinary perspectives
electronic music
Electronic Music Studio
Epistemology
epistemology of music
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
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Fairlight CMI
Follow
Hatsune Miku
mediation
Midi
Modular Moog Synthesizer
modular synthesisers
Modular Synthesizers
music and material culture
music and media
music and technology
music as medium
music streaming
music technology studies
musical experience
musical instrument studies
Musical world
musicology
Net Art
organology
organology research
Persona
Playback
Rameau's Theory
Rameau’s Theory
science and technology studies
science technology studies in musicology
sociology of music
sonic imaginaries
sound studies
sounding objects
STS
STS Field
Trevor Pinch
Uploading
Vice Versa
Young Man

Product details

  • ISBN 9780367200541
  • Weight: 500g
  • Dimensions: 156 x 234mm
  • Publication Date: 04 May 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This volume seeks to offer a new approach to the study of music through the lens of recent works in science and technology studies (STS), which propose that facts are neither absolute truths, nor completely relative, but emerge from an intensely collective process of construction. Applied to the study of music, this approach enables us to reconcile the human, social, factual, and technological aspects of the musical world, and opens the prospect of new areas of inquiry in musicology and sound studies.

Rethinking Music through Science and Technology Studies draws together a wide range of both leading and emerging scholars to offer a critical survey of STS applications to music studies, considering topics ranging from classical music instrument-making to the ethos of DIY in punk music. The book’s four sections focus on key areas of music study that are impacted by STS: organology, sound studies, music history, and epistemology. Raising crucial methodological and epistemological questions about the study of music, this book will be relevant to scholars studying the interactions between music, culture, and technology from many disciplinary perspectives.

Antoine Hennion is Professor at Mines ParisTech, and the former Director of the Centre for the Sociology of Innovation. He has written extensively on the sociology of music, media, and cultural industries.

Christophe Levaux is a lecturer and postdoctoral researcher at the University of Liège, Belgium. His research focuses on approaches to 20th-century American music and Actor-Network Theory.