Rethinking Place in South Asian and Islamic Art, 1500-Present

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16th century art
17th century art
18th century art
19th century art
Ahmadiyya Mosque
Alkazi Collection
American Folk Art Museum
architectural analysis
art historical methodology
art history
Atik Valide
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Category=NHF
Chihil Sutun
Christ Child
cultural geography
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eq_history
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Feminist Art Program
Ferdinand III
Hunter's Drawings
Hunter’s Drawings
interdisciplinary art history research
islam
Islamic Art
Islamic Art History
Ivory Statuettes
Madras School
modern art
Mosque Architecture
Mosque Complexes
Mughal Emperor Shah Jahan
Peabody Essex Museum
sensory experience in art
south asia
South Asian Art
South Kensington School
Spain's Islamic Past
Spain’s Islamic Past
spatial theory
Sri Lankan
Sultan Murad III
Tamil Nadu
transregional art studies
Walters Art Museum
Yamuna River

Product details

  • ISBN 9781472466341
  • Weight: 780g
  • Dimensions: 174 x 246mm
  • Publication Date: 11 Oct 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Place plays a fundamental role in the structuring of the discipline of Art History. And yet, place also limits the questions art historians can ask and impairs analysis of objects and locations in the interstices of established, ossified categories. The chapters in this interdisciplinary volume investigate place in all of its dynamism and complexity: several call into question traditional constructions regarding place in Art History, while others explore the fundamental role that place plays in lived experience. The particular nexus for this collection lies at the intersection and overlap of two major subfields in the history of art: South Asia and the Islamic world, both of which are seemingly geographically determined, yet at the same time uncategorizable as place with their ever-shifting and contested borders. The eleven chapters brought together here move from the early modern through to the contemporary, and span particular monuments and locations ranging from Asia and Europe to Africa and the Americas. The chapters take on the question of place as it operates in more obvious settings, such as architectural monuments and exhibitionary contexts, while also probing the way place operates when objects move or when the very place they exist in transforms dramatically. This volume engages place through the movement of objects, the evocation of senses, desires, and memories and the on-going project of articulating the parameters of place and location.

Deborah S. Hutton is Professor, Department of Art and Art History, The College of New Jersey, USA.

Rebecca M. Brown is Associate Professor, History of Art, Johns Hopkins University, USA.