Return of the Western

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American film
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Category=ATMB
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femininity
film aesthetics
film genre
frontier
gender and film
masculinity
Western films
Westerns
women and Westerns

Product details

  • ISBN 9781399524728
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Feb 2025
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Hardback
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Transmitting the crisis that Frederick Jackson Turner and Theodore Roosevelt feared when the frontier closed, the Western has returned to reveal a cultural watershed at work in twenty-first century America, revitalized with horror, terror and the peccant. Darkened and dystopic, contemporary Westerns point to a national bankruptcy, upending the notion that regenerative, civilizing impulses direct nation-building. Exploring films like Open Range (2003), Yah?i Bat? (2010), The Keeping Room (2015), Little Woods (2018), and First Cow (2019), as well as television series like Justified (2010-1015), Longmire (2012-2017), Westworld (2016-2022), and Yellowstone (2020 ), this thought-provoking collection examines re-constituted masculinities, feminine re-fashioning and new directions in Western filmmaking. Covering a wide range of aesthetic and thematic concerns, Return of the Western: Refracting Genre, Representing Gender in the Twenty-First Century reminds us how deeply this versatile genre is grounded in the American psyche.
Sue Matheson is Full Professor of English at the University College of the North in Manitoba, Canada. Her interests in film, culture, and literature may be found in more than sixty articles published in a wide range of books and scholarly journals. She is the editor of Love in Western Film and Television: Happy Hearts and Lonely Trails, A Fistful of Icons: Essays on Frontier Fixtures of the American Western, Women in the Western and The Good, the Bad and the Ancient: Essays on the Greco-Roman Influence in Westerns. She is the author of The Westerns and War Films of John Ford and The John Ford Encyclopedia.