Revealing Art

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A01=Matthew Kieran
aesthetic judgement in contemporary culture
Aesthetic Virtues
art interpretation theory
Auerbach's Work
Auerbach’s Work
Author_Matthew Kieran
Bacon's Work
Bacon’s Work
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censorship debates
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Conceptual Art
Contemporary Art
Dependent Beauty
Duchamp's Ready Mades
Duchamp’s Ready Mades
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goghs
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imaginative engagement
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Jean De Dinteville
Kant's Account
Kant’s Account
klein
Monet's Water Lilies
Monet’s Water Lilies
moral values in art
Munch's Scream
Munch’s Scream
philosophy of aesthetics
Pink Nude
Pornographic Art
Pornographic Works
Roy Lichtenstein
St Ives School
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Town Hall
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Van Gogh's Work
Van Gogh’s Work
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visual perception studies
Warhol's Brillo Boxes
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Product details

  • ISBN 9780415278539
  • Weight: 710g
  • Dimensions: 129 x 198mm
  • Publication Date: 02 Dec 2004
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Why does art matter to us, and what makes it good? Why is the role of imagination so important in art? Illustrated with carefully chosen colour and black-and-white plates of examples from Michaelangelo to Matisse and Poussin to Pollock, Revealing Art takes us on a compelling and provocative journey.

Kieran explores some of the most important questions we can ask ourselves about art: how can art inspire us or disgust us? Is artistic judgement simply a matter of taste? Can art be immoral or obscene, and should it be censored? He brings such abstract issues to life with fascinating discussions of individual paintings, photographs and sculptures, such as Michelangelo's Pieta, Andres Serrano's Piss Christ and Francis Bacon's powerful paintings of the Pope.

He also suggests some answers to problems that any one in an art gallery or museum is likely to ask themselves: what is a beautiful work of art? and can art really reveal something true about our own nature?

Revealing Art is ideal for anyone interested in debates about art today, or who has simply stood in front of a painting and felt baffled.

Matthew Kieran is Lecturer in Philosophy at the University of Leeds, UK. His is the co-editor of Imagination, Philosophy and the Arts (2003) and the editor of Media Ethics (1998), both published by Routledge.

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