Revisiting the Codex Buranus

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A32=Carmen Cardelle de Hartmann
A32=Charles E Brewer
A32=David A. Traill
A32=Gundela Bobeth
A32=Heike Sigrid Lammers-Harlander
A32=Henry Hope
A32=Johann Drumbl
A32=Professor Albrecht Classen
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B01=Henry Hope
B01=Tristan E. Franklinos
Brixen
Category1=Non-Fiction
Category=AVGC
Category=AVGC2
Category=AVLA
classical reception
codicology
compilation
contrafacture
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
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eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
High Middle Ages
Language_English
manuscript
medieval Latin
medieval music
Middle High German
notation
PA=Available
palaeography
parody
plurilingualism
Price_€100 and above
provenance
PS=Active
satire
softlaunch
thirteenth century
Tyrol

Product details

  • ISBN 9781783273799
  • Weight: 914g
  • Dimensions: 156 x 234mm
  • Publication Date: 19 Jun 2020
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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The Codex Buranus, compiled, in all likelihood, in South Tyrol in the first half of the thirteenth century, has fascinated modern scholars and performers ever since its rediscovery in 1803. Its diverse range of texts (some famously featuring in Carl Orff's Carmina Burana) and music gives testimony to the intensely vibrant, plurilingual, and multicultural milieu in which the Codex Buranus was compiled, but poses a challenge to modern users. Perhaps more so than many other medieval manuscripts, it is an artefact which demands, and benefits from, an interdisciplinary approach. The chapters here, from scholars in a variety of fields, enable the less well-known aspects of the Codex Buranus; textual, musical, and artistic; to receive greater scrutiny, and bring new perspectives to bear on the more thoroughly explored parts of the manuscript. Making accessible existing discourse and encouraging fresh debates on the codex, the essays advocate fresh modes of engagement with its contents, contexts, and composition. They also examine questions of its reception history and audience.
TRISTAN E. FRANKLINOS is a British Academy Postdoctoral Fellow at the University of Oxford, and a Junior Research Fellow of Trinity College, Oxford. HENRY HOPE has taught at the universities of Oxford and Bern; his research centres on the musical aspects of Minnesang. ALBRECHT CLASSEN is University Distinguished Professor of German Studies at the University of Arizona; he received the title of Grand Knight Commander of the Most Noble Order of the Three Lions in 2017, in recognition of his outstanding service to German studies. HENRY HOPE has taught at the universities of Oxford and Bern; his research centres on the musical aspects of Minnesang. TRISTAN E. FRANKLINOS is a British Academy Postdoctoral Fellow at the University of Oxford, and a Junior Research Fellow of Trinity College, Oxford.