Jonsonians: Living Traditions

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A01=Brian Woolland
Alan Ayckbourn
Alison Findlay
Ariadne
Author_Brian Woolland
Ayckbourn's Play
Ayckbourn’s Play
Bartholomew Fair
Carolyn D. Williams
Category=JHB
Claudia Manera
Contemporary Society
David Mamet
Devious
Dimmed
Drama
dramatic influence studies
early modern drama
English Renaissance theatre
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Jonsonians
Jonson’s Bartholomew Fair
Jonson’s Comedies
Jonson’s Late Plays
Jonson’s Play
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Julie Sanders
Justice Overdo
La Foole
Magnetic Lady
Modern
Nathan Field
performance theory
Peter Barnes
Restoration playwrights
Richard A. Cave
Richard Allen Cave
Richard Brome
Richard Cave
Stephen Lacey
Superimposed
theatrical historiography
Workhouse Donkey
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Product details

  • ISBN 9781138710658
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Jan 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This title was first published in 2003. "Jonsonians" explores the theatrical traditions within which Ben Jonson was working, investigates the ways in which his work has influenced and informed the development of theatre from the early 17th century to the present day, and examines Jonson's theatre in relation to 20th- and 21st-century traditions of performance. It argues that although Jonsonian traditions are rarely acknowledged, they are vibrant and powerful forces that are very much alive today in the theatre of writers and directors as diverse as Caryl Churchill, David Mamet, Spike Lee, John Arden, Alan Ayckbourn and Peter Barnes. The book opens with essays on "Poetaster", "Sejanus", "Bartholomew Fair", "The New Inn" and "The Magnetic Lady" - each of which interrogates, in a variety of ways, the notion of "Jonsonian" theatre and considers the relationships of Jonson's theatre to classical traditions, to his contemporaries in England and Europe, and to modern performance practice and theory. The second section of the book includes essays on "The Sons of Ben" (including Richard Brome) Aphra Behn and "Daughters of Ben" (women working in the theatre in the post-Restoration period). The book concludes with an extensive section devoted to modern day Jonsonians, exploring how reading their work as Jonsonian might alter perceptions of contemporary theatre, and how seeing them as contemporary "Jonsonians" might affect our understanding of Jonson's theatre.

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