Revival: Memory and Desire (2002)

Regular price €142.99
20th
A01=Kenneth McConkey
academic study of British painting
Adolphe Monticelli
Alfred East
Art
art criticism analysis
artistic taste evolution
artistic tendencies
Author_Kenneth McConkey
Baudelaire
Britain
British art history
Burne
Category=ABA
Category=AGA
Category=NHD
Century
Chantrey Bequest
Conferring
Degas
English Art Club
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Frank Brangwyn
George Moore
Grosvenor Gallery
Hugh Lane
John Singer Sargent
La Thangue
Liber Studiorum
Luke Fildes
Martin Wood
modernism
New English Art Club
old master market
old master paintings
Played Back
Reborn
Rothenstein
Royal Academy
Slow Release
Timeless
turn of the century painting
visual memory studies
Young Men

Product details

  • ISBN 9781138720466
  • Weight: 750g
  • Dimensions: 203 x 254mm
  • Publication Date: 11 Sep 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

This title was first published in 2002. 'Memory and Desire' is a lavishly illustrated account of the art world in Britain at the turn of the twentieth century. It calls upon rich resources of contemporary diaries, letters and art criticism, as well as the analysis of works of art to answer questions about how and why new artistic tendencies emerged and tastes changed. Eschewing the familiar narrative of an inevitable progress towards modernism, Kenneth McConkey considers a broad range of art and critical thinking in the period. Discussing the market for old master paintings, which rivalled those for modern art, and the question of how and why certain genres of art were particularly successful at the time, McConkey explores the detail and significance of contemporary taste. He draws upon the work of commercially successful painters such as John Singer Sargent, William Orpen, George Clausen, Alfred East, John Lavery and Philip Wilson Steer, and their critic-supporters to throw light upon current arguments about training, aesthetics, visual memory and the creation of new art. 'Memory and Desire' is a major contribution to our knowledge of this important period in British art.