Revolutionary Theatre

Regular price €179.80
A01=Robert Leach
A01=Robert Leach Nfa
art
Author_Robert Leach
Author_Robert Leach Nfa
Black Birds
Blue Blouse
Bolshevik cultural history
bouffe
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Category=NHD
CHARLIE CHAPLIN
Daniil Kharms
Distorting Mirror
early twentieth-century stagecraft
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evreinov
experimental theatre movements
Fairground Booth
foregger
Fuente Ovejuna
General Staff Building
Imperial Theatres
Longish Skirt
Magnanimous Cuckold
meyerhold
moscow
mystery
Mystery Bouffe
nikolai
Nikolai Evreinov
Nikolai Foregger
People's House
performance theory Russia
political dramaturgy
Russian revolutionary performance studies
Sergei Radlov
Sergei Tretyakov
Sergei Yutkevich
Soviet avant-garde theatre
Tamara Karsavina
Tightrope Walkers
Tram
Uncle Vanya
vladimir
vsevolod
White Platform
World Turned Upside
Yuri Annenkov

Product details

  • ISBN 9780415032230
  • Weight: 680g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Jun 1994
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Revolutionary Theatre is the first full-length study of the dynamic theatre created in Russia in the aftermath of the Bolshevik Revolution. Fired by social and political as well as artistic zeal, a group of directors, playwrights, actors and organisers collected around the charismatic Vsevolod Meyerhold. Their aim was to achieve in the theatre what Lenin and his comrades had achieved in politics: the complete overthrow of the status quo and the installation of a radically new regime.
Until now the efforts and influence of this idealistic group of theatrical avant-gardists have been largely unacknowledged; the oppressive reign of Stalin condemned many of them to death and their work to oblivion. In this enlightening work Robert Leach uncovers in fascinating detail their roots, their achievements and their legacy.

Robert Leach is Senior Lecturer in Drama and Theatre Arts at the University of Birmingham, and a freelance theatre director. In 1990 he directed the Russian premiere of Sergei Trekyakov's I Want a Baby in Moscow, and in 1994 was artistic director for the Lichfield Mysteries. He is the author of a major study of Vsevolod Meyerhold and is editing a forthcoming history of Russian theatre.