Rewriting Gender in an Age of Transition

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19th Century
20th Century
Category=DSA
Category=JBCC3
Category=JBCT
Category=JBSF
Category=JBSJ
Category=NH
early twentieth century gender discourse
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eq_biography-true-stories
eq_history
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femininity construction
Feminism
Gender
Gender Studies
interdisciplinary gender analysis
LGBT Studies
masculinity representation
media and cultural change
modernity studies
queer identity history
Queer Studies
Sexuality

Product details

  • ISBN 9781032847887
  • Weight: 400g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Mar 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Rewriting Gender in an Age of Transition: 1880–1940 examines shifting discourses on gender and sexuality across the fin-de-siècle and early twentieth century.

This interdisciplinary collection challenges the conventional divide between the nineteenth and twentieth centuries, proposing instead that the period from 1880 to 1940 marks a pivotal era of transition. Through chapters spanning literature, history, art history, and linguistics, the volume explores evolving representations of femininity, masculinity, and queer identity in relation to broader cultural, political, and technological change. It places late nineteenth-century queer activism in dialogue with early twentieth-century media and artistic practices, revealing how anxieties around gender and sexuality shaped – and were shaped by – modernity. Contributions from both established and emerging scholars offer a multifaceted reappraisal of this transformative period.

Rewriting Gender in an Age of Transition: 1880-1940 is ideal for students and researchers in gender studies, media studies, literature, history, and the social sciences interested in identity formation and cultural change.

Katerina García-Walsh is a Juan de la Cierva National Postdoctoral Fellow at the Complutense University of Madrid, Spain. She completed her PhD at the University of St Andrews, UK.

Paul Thompson completed a PhD at the University of St Andrews, UK, and is now an independent researcher in mid twentieth-century popular American literature.