Rhetoric of Literary Communication

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Author Reader Relationship
author-reader interaction
Authorial Audience
Category=CF
Category=CFG
Category=DS
Category=DSB
Category=DSBF
Category=DSBH
Charlie Savage
communicative acts
Digital Fiction
digital narrative theory
Direct Address
English-language novels
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethical engagement in fiction
Extradiegetic Level
Face To Face
Follow
Gerard
Ghost Light
Hypertext Fiction
impoliteness
Interactive Digital Narrative
Interactive Fiction
interactivity
Irish Oral Tradition
literary pragmatics
Main Characters
Mrs Dalloway
narrative address strategies
Narrative Audience
Narrator Reader Relationship
Phatic Communication
pragmatic literary analysis
Print Fiction
reader participation in digital fiction
Reader-Author channel
Real Reader
Reference Corpus
rhetoric
Sandrine Sorlin
stylistic communication studies
stylistics
Superimposes
theories of impoliteness
theories of politeness
Vice Versa
Virginie Iche
Wise Blood

Product details

  • ISBN 9780367555634
  • Weight: 458g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 Jan 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Building on the notion of fiction as communicative act, this collection brings together an interdisciplinary range of scholars to examine the evolving relationship between authors and readers in fictional works from 18th-century English novels through to contemporary digital fiction.

The book showcases a diverse range of contributions from scholars in stylistics, rhetoric, pragmatics, and literary studies to offer new ways of looking at the "author–reader channel," drawing on work from Roger Sell, Jean-Jacques Lecercle, and James Phelan. The volume traces the evolution of its form across historical periods, genres, and media, from its origins in the conversational mode of direct address in 18th-century English novels to the use of second-person narratives in the 20th century through to 21st-century digital fiction with its implicit requirement for reader participation. The book engages in questions of how the author–reader channel is shaped by different forms, and how this continues to evolve in emerging contemporary genres and of shifting ethics of author and reader involvement.

This book will be of particular interest to students and scholars interested in the intersection of pragmatics, stylistics, and literary studies.

Virginie Iché is Associate Professor of Linguistics at University Paul-Valéry Montpellier 3. She is the author of L’esthétique du jeu dans les Alice de Lewis Carroll (2015) and has edited the 92nd issue of the French journal CVE, "Talking to Children in Victorian and Edwardian Children’s Literature" (2020).

Sandrine Sorlin is Professor of English Linguistics and Stylistics at the University Paul-Valéry Montpellier 3. She is the author of Language and Manipulation in House of Cards. A Pragma-stylistic Perspective (2016) and The Stylistics of ‘You’. The Second-person Pronoun and its Pragmatic Effects (forthcoming). She is Assistant Editor of Language and Literature.