A01=Barbara Maria Stafford
Aesthetics
attention
Author_Barbara Maria Stafford
biology
Category=ABA
Category=GTK
Category=JBCT
Category=QDTM
Cognition
color
dualism
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
eros
ethics
fascination
gene editing
genetics
humanities
iconography
imagination
ineffability
inference
inquiry
Inscrutability
intuitability
intuition
knowledge
labor
language
manual skills
materialism
neuroscience
nonfiction
personhood
philosophy
progress
science
sublime
submergence
technology
visual culture
warburg library
Product details
- ISBN 9780226630489
- Dimensions: 152 x 229mm
- Publication Date: 05 Jun 2019
- Publisher: The University of Chicago Press
- Publication City/Country: US
- Product Form: Hardback
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Over the course of her career, Barbara Stafford has established herself the preeminent scholar of the intersections of the arts and sciences, articulating new theories and methods for understanding the sublime, the mysterious, the inscrutable. Omnivorous in her research, she has published work that embraces neuroscience and philosophy, biology and culture, pinpointing connections among each discipline's parallel concerns. Ribbon of Darkness is a monument to the scope of her work and the range of her intellect. At times associative, but always incisive, the essays in this new volume take on a distinctly contemporary purpose: to uncover the ethical force and moral aspects of overlapping scientific and creative inquiries. This shared territory, Stafford argues, offers important insights into--and clarifications of--current dilemmas about personhood, the supposedly menial nature of manual skill, the questionable borderlands of gene editing, the potentially refining value of dualism, and the limits of a materialist worldview.
Stafford organizes these essays around three concepts that structure the book: inscrutability, ineffability, and intuitability. All three, she explains, allow us to examine how both the arts and the sciences imaginatively infer meaning from the "veiled behavior of matter," bringing these historically divided subjects into a shared intellectual inquiry and imbuing them with an ethical urgency. A vanguard work at the intersection of the arts and sciences, this book will be sure to guide readers from either realm into unfamiliar yet undeniably fertile territory.
Barbara M. Stafford is William B. Ogden Distinguished Service Professor Emeritus of art history at the University of Chicago. She is the author of many books, including Echo Objects, also published by the University of Chicago Press.
