Richard Attenborough

Regular price €97.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A Bridge Too Far
A01=Sally Dux
Age Group_Uncategorized
Age Group_Uncategorized
Allied Film Makers
Author_Sally Dux
automatic-update
Beaver Films
British cinema history
Bryan Forbes
Category1=Non-Fiction
Category=APFB
Category=ATFB
Chaplin
Closing the Ring
COP=United Kingdom
Cry Freedom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film culture
Gandhi
Grey Owl
In Love and War
In Which We Serve
Language_English
Oh! What a Lovely War
PA=Available
Price_€50 to €100
PS=Active
Richard Attenborough
Shadowlands
softlaunch
Young Winston

Product details

  • ISBN 9780719087646
  • Weight: 422g
  • Dimensions: 138 x 216mm
  • Publication Date: 31 Oct 2013
  • Publisher: Manchester University Press
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

Richard Attenborough’s film career has stretched across seven decades; surprisingly, Sally Dux’s book is the first detailed scholarly analysis of his work as a filmmaker. Concentrating on his work behind the camera, she explores his initial role as a producer, including his partnerships with Bryan Forbes in Beaver Films (1959–64) and with Allied Film Makers (1960–64). As we know, Attenborough went on to direct twelve films, many of which achieved great acclaim, most notably Gandhi, which won eight Academy Awards in 1982

Attenborough is most renowned for his biographical films including Young Winston, Cry Freedom, Chaplin and Shadowlands, which helped to establish the genre within British cinema. Although his work has often attracted controversy, particularly regarding the representation of individuals and historical events, his films are noted for extracting acclaimed performances from unknown actors such as Ben Kingsley (Gandhi), while maintaining his moral and thematic concerns.

Sally Dux lectures in Film Studies at the University of Leicester

More from this author