Riemenschneider and Late Medieval Alabaster
Regular price
€27.50
14 days return policy
Shipping & Delivery
A01=Gerhard Lutz
Age Group_Uncategorized
Age Group_Uncategorized
Author_Gerhard Lutz
automatic-update
Category1=Non-Fiction
Category=AGC
Cleveland Museum of Art
COP=United Kingdom
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
Late Medieval Alabaster Sculpture
PA=Temporarily unavailable
Price_€20 to €50
PS=Active
Saint Jerome
softlaunch
Tilman Riemenschneider
Product details
- ISBN 9781913875435
- Dimensions: 216 x 216mm
- Publication Date: 04 Apr 2023
- Publisher: D Giles Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Said to have come from the Benedictine abbey church of Saint Peter in Erfurt, Germany, this statue by Tilman Riemenschneider (c. 1460 - 1531), dated to c. 1495, depicts the church father Saint Jerome as he removes a thorn from the paw of a lion, a legendary account of the saint's kindness. Following the common iconography of the scene, Jerome is dressed in the traditional robes of a Roman cardinal, with the cowl draped over his tonsured head and the broad-brimmed hat on his right leg. Traces of polychromy and gilding suggest that it was once brightly coloured. Drill holes in the hat further indicate that cords and tassels of fabric, typical of a cardinal's hat, would once have decorated the sculpture. Whether the statue was originally commissioned for an altar in a private chapel or for its artistic value remains unknown. Its alleged provenance from a church in Erfurt and Jerome's popularity as a patron saint of humanists and scholars make either scenario likely.
Alabaster was prized for its lustre and capacity for fine details from the fourteenth to the sixteenth century. The gleaming stone was used for altarpieces and small sculptures, as well as the tombs of wealthy princes. The book unites alabaster works from the medieval collection of the Cleveland Museum of Art and selected masterpieces of alabaster sculpture from North American museums and the Louvre in Paris, which allow insight into the production of alabaster sculptures in this period. It is striking that these works are of such a particularly exquisite quality that this material was used especially for high-ranking commissions, such as the tomb of Duke Philip the Bold of Burgundy in Champmol near Dijon. The book is accompanied by several essays that examine the subject of alabaster sculpture from different perspectives.
Gerhard Lutz, PhD is the Robert P. Bergman Curator of Medieval Art, Cleveland Museum of Art.
Elina Gertsman is professor of Art History and director of Graduate Studies, Case Western.
Stefan Roller is head of department of Medieval Sculpture, Liebieghaus Skulpturensammlung.
Sophie Jugie is directrice du departement des sculptures, Musee du Louvre
Pierre-Yves Le Pogam is conservateur en chef au departement des sculptures, Musee du Louvre.
Lise Leroux is research engineer, geologist, laboratoire de recherche des monuments historiques Ministere de la culture, Paris.
Wolfram Kloppmann is isotope geochemist BRGM-Bureau de Recherches Geologiques et Minieres, Orleans.
