Rise and Fall of the Italian Film Industry

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A01=Marina Nicoli
art and business
Author_Marina Nicoli
Box Office Takings
Category=JBCT
Category=KC
Category=KCP
Category=KJ
Category=KJZ
Category=KNT
Cine Operator
cinema
cinema history
Cinema Owners
Creative Industries
creative industries research
creative industry
cultural economy
cultural policy analysis
Della
Dello Spettacolo
democracy
Dino De Laurentiis
Direzione Generale
Dolce Vita
EEC Country
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eq_business-finance-law
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eq_nobargain
eq_non-fiction
eq_society-politics
European cinema studies
exhibitors
fascism
Fellini
film critics
film directors
film funding
Film Industry
film industry economics
film producers
film reception
Foreign Films
Full Length Films
government and film
government arts funding
Hollywood
institutional dynamics in film sector
Itala Film
Italian culture
Italian Film
Italian Film Industry
La Canzone
La Cinematografia
Leone
Luigi Freddi
Marcello Mastroianni
media business history
Private Tv Station
Rai Broadcast
Rossellini
SACC
Serafino Gubbio
Sophia Loren
Vice Versa
West Germany

Product details

  • ISBN 9781138340787
  • Weight: 408g
  • Dimensions: 152 x 229mm
  • Publication Date: 07 Aug 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Italian cinema triumphed globally in the 1960, with directors such as Rossellini, Fellini, and Leone, and actors like Sophia Loren and Marcello Mastroianni known to audiences around the world. But by the end of the 1980s, the Italian film industry was all but dead. The Rise and Fall of the Italian Film Industry traces the rise of the industry from its origins in the 19th century to its worldwide success in the 1960s, and its rapid decline in the subsequent decades. It does so by looking at cinema as an institution – subject to the interplay between the spheres of art, business, and politics at the national and international level.

By examining the roles of a wide range of stakeholders (including film directors, producers, exhibitors, the public, and the critics) as well as the system of funding and the influence of governments, author Marina Nicoli demonstrates that the Italian film industry succeeded when all three spheres were aligned, but suffered and ultimately failed when they each pursued contradictory objectives. This in-depth case study makes an important contribution to the long-standing debate about promoting and protecting domestic cultures, particularly in the face of culturally dominant and politically- and economically-powerful creative industries from the United States. The Rise and Fall of the Italian Film Industry will be of particular interest to business and economic historians, cinema historians, media specialists, and cultural economists.

Marina Nicoli is a Post-Doctoral Research Fellow in the Department of Policy Analysis and Public Management at Bocconi University, Italy.

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