Rise of Transtexts

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ARG
audience engagement
audiences
BioShock Infinite
Category=ATJ
Category=JBCC1
Category=JBCT
Category=KNT
Contributory Authorship
convergence
Coordinated Entertainment Experience
copyright law media
cross-media
digital media
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fan Fiction
fan studies
fans
film
Karen Hellekson
Marvel Cinematic Universe
media convergence
Media Franchises
media industires
media studies
narrative worldbuilding
participatory culture
popular culture
Pro Wrestling
Reality Envelope
Star Trek
Star Trek Universe
storytelling
Teenage Mutant Ninja Turtles
television
transmedia
Transmedia Branding
Transmedia Extensions
Transmedia Narrative
Transmedia Practices
Transmedia Producers
Transmedia Stories
Transmedia Storytelling
Transmedia Storyworlds
Transmedia Strategies
Tv Episode
Tv Series
Tv Show
user-generated transmedia analysis
video games

Product details

  • ISBN 9780367874407
  • Weight: 358g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This volume builds on previous notions of transmedia practices to develop the concept of transtexts, in order to account for both the industrial and user-generated contributions to the cross-media expansion of a story universe. On the one hand exists industrial transmedia texts, produced by supposedly authoritative authors or entities and directed to active audiences in the aim of fostering engagement. On the other hand are fan-produced transmedia texts, primarily intended for fellow members of the fan communities, with the Internet allowing for connections and collaboration between fans. Through both case studies and more general analyses of audience participation and reception, employing the artistic, marketing, textual, industrial, cultural, social, geographical, technological, historical, financial and legal perspectives, this multidisciplinary collection aims to expand our understanding of both transmedia storytelling and fan-produced transmedia texts.

Benjamin W.L. Derhy Kurtz teaches at Sorbonne Nouvelle, Sciences Po (IEP) and Ecole Polytechnique, as well as at various communication and business schools. He created undergraduates/postgraduates courses, including on Transmedia, and holds experience in marketing and in institutional/promotional/political communication. His PhD, at the University of East Anglia, explored ‘success’ in the TV industry. http://Derhy.TV

Mélanie Bourdaa is Associate Professor of Communication and Information Sciences at the University of Bourdeaux, France