A01=Delia Casadei
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american sitcoms
animal
appropriation
audible
Author_Delia Casadei
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Category1=Non-Fiction
Category=AVA
Category=AVX
Category=PH
Category=PHDS
contagion
COP=United States
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eq_music
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history of laughing
intellectual history
Language_English
laughing song
laughter recordings
minstrelsy
music
musicology
PA=Available
philosophy
phonography
Price_€20 to €50
PS=Active
race
reproduction
softlaunch
sound studies
speech
television
voice
Product details
- ISBN 9780520391338
- Weight: 363g
- Dimensions: 152 x 229mm
- Publication Date: 06 Feb 2024
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Paperback
- Language: English
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A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.
Risible explores the forgotten history of laughter, from ancient Greece to the sitcom stages of Hollywood. Delia Casadei approaches laughter not as a phenomenon that can be accounted for by studies of humor and theories of comedy but rather as a technique of the human body, knowable by its repetitive, clipped, and proliferating sound and its enduring links to the capacity for language and reproduction. This buried genealogy of laughter re-emerges with explosive force thanks to the binding of laughter to sound reproduction technology in the late nineteenth century. Analyzing case studies ranging from the early global market for phonographic laughing songs to the McCarthy-era rise of prerecorded laugh tracks, Casadei convincingly demonstrates how laughter was central to the twentieth century’s development of the very category of sound as not-quite-human, unintelligible, reproductive, reproducible, and contagious.
Risible explores the forgotten history of laughter, from ancient Greece to the sitcom stages of Hollywood. Delia Casadei approaches laughter not as a phenomenon that can be accounted for by studies of humor and theories of comedy but rather as a technique of the human body, knowable by its repetitive, clipped, and proliferating sound and its enduring links to the capacity for language and reproduction. This buried genealogy of laughter re-emerges with explosive force thanks to the binding of laughter to sound reproduction technology in the late nineteenth century. Analyzing case studies ranging from the early global market for phonographic laughing songs to the McCarthy-era rise of prerecorded laugh tracks, Casadei convincingly demonstrates how laughter was central to the twentieth century’s development of the very category of sound as not-quite-human, unintelligible, reproductive, reproducible, and contagious.
Delia Casadei is a scholar, writer, and translator based in Italy and the UK. Her articles on the relationship of language, voice, ideology, and history in twentieth-century music and sound practices have been published by Cambridge Opera Journal, The Opera Quarterly, Journal of the Royal Musical Association, and Representations.
