Risk in the Film Business

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A01=Michael Franklin
audience valuation models
Author_Michael Franklin
BAFTA Nominee
blockbusters
BSAC
business-to-business networks
Category=KC
Category=KNTC
CFO
Creative Industries
creative industry
creative strategy
De Vany
economic sociology
environmental uncertainty
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
European Audiovisual Observatory
Film Business
Film Industry
finance plans
Free Tv
FVC
high-end television markets
Independent Film
KPMG LLP
Market Participants
media industry economics
movie industry
organisational cultures
production companies
project financing strategies
risk management
risk responses
ROI
Sales Estimates
strategic risk management in film production
SVOD
Tv Business
Tv Industry
Tv Series
UK Distribution
UK Film
UK Independent
UK Right
Vice Versa

Product details

  • ISBN 9780367675301
  • Weight: 740g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Jul 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book explores the complex, multifaceted and contested subject of risk in the film business. How risk is understood and managed has a substantial impact upon which films are financed, produced and seen.

Founded on substantial original research accessing the highest level of industry practitioners, this book examines the intertwined activity of independents, large media companies including major studios, the international marketplace, and related audio-visual sectors such as high-end television. The book shows how risk is generally framed, or even intuited, rather than calculated, and that this process occurs across a sliding scale of formality. This work goes beyond broad creative industries characterisations of a "risky sector" and concentrations on Box Office return modelling, to provide a missing middle. This means a coherent analytic coverage of business organisation and project construction to address the complex practicalities that mobilise strategic operations in relation to risk, often in unseen business-to-business contexts. Informed by economic sociology’s concepts addressing market assemblage and valuation, alongside applications of science and technology studies to media and communications, the book respects both the powerful roles of social and institutional actors, and affordances of new technologies in dealing with the persistent known unknown – the audience.

Examining a persistent business issue in a new way, this book analyses top level industry practice through established mechanisms, and innovations like data analytics. The result is a book that will be essential reading for scholars with an interest in the film business as well as risk management more broadly.

Michael Franklin is Lecturer in Creative and Cultural Entrepreneurship at Goldsmiths College, University of London, UK.

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