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Ritual and Music of North China
7th Moon
A01=Stephen Jones
Altar Table
Author_Stephen Jones
band
bands
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Category=QRA
Cd Track
ceremonial music traditions in Shanxi
Chinese folk instruments
Daoist ritual music
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eq_music
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eq_society-politics
ethnomusicology
fairs
Family Band
funeral performance studies
hua
Hua Band
Hua Yinshan
jiangjun
Jiangjun Ling
Large Shawm
Li Bin
Li Qing
ling
Opera Troupe
Ostinato Sections
Percussion Interludes
Pop Pieces
Processional Pieces
qing
Ritual Percussion
rural Chinese ceremonies
shawm
shawm band ethnography
Shawm Bands
Shawm Players
Sheng Mouth Organs
small
Small Suona
Soul Hall
temple
Temple Fair
Traditional Repertory
Transferring Offerings
Vocal Liturgy
Product details
- ISBN 9781138056725
- Weight: 226g
- Dimensions: 156 x 234mm
- Publication Date: 14 Jun 2017
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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The rich local traditions of musical life in rural China are still little known. Music-making in village society is largely ceremonial, and shawm bands account for a significant part of such music. This is the first major ethnographic study of Chinese shawm bands in their ceremonial and social context. Based in a poor county in Shanxi province in northwestern China, Stephen Jones describes the painful maintenance of ceremonial and its music there under Maoism, its revival with the market reforms of the 1980s and its modification under the assault of pop music since the 1990s. Part One of the text explains the social and historical background by outlining the lives of shawm band musicians in modern times. Part Two looks at the main performing contexts of funerals and temple fairs, whilst Part Three discusses musical features such as instruments, scales, and repertories. The downloadable resources consist of a 47-minute film in two parts, showing excerpts from funerals and temple fairs (complementing Part Two of the text), while a separate section contains a magnificent 1992 funerary performance of a complete shawm-band suite. As a package, the book and downloadable resources illuminate the whole ceremonial context of music-making in rural China, illustrating the ritual-music experience of villagers, with lay Daoist priests, opera troupes, and beggars also making cameo appearances. While the modern stage repertories of urban professionals remain our main exposure to Chinese music, this publication is all the more valuable in showing the daily musical experiences of the majority of people in China. It will appeal to ethnomusicologists, anthropologists and all those interested in modern Chinese history and society.
Dr Stephen Jones has carried out fieldwork on local traditions of Chinese music since 1986. He is author of Folk Music of China: Living Instrumental Traditions (1995/1998) and Plucking the Winds: Lives of Village Musicians in Old and New China (2004). A Research Associate in the Department of Music at SOAS, University of London, Stephen Jones is also a violinist in London early music ensembles.
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