Ritual and Music of North China

Regular price €61.50
A01=Stephen Jones
Ans
Author_Stephen Jones
band
Band Boss
Big Band
blind
Blind Bards
Calendrical Ceremonies
Category=AB
Category=AVLP
Category=JB
Category=JHM
Category=QRA
Chinese folk performance
counties
Drum Shop
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
ethnomusicology
fairs
Folk Arts Troupe
grassroots musical practices in Shaanbei
Han Qixiang
Jiaxian County
large
Large Shawms
Maoist cultural policy
mizhi
Mizhi County
narrative singing healing
North Shanxi
Opera Troupe
players
Plucked Lute
Propaganda Team
rural Chinese ceremonies
shawm
shawm band traditions
Shawm Bands
Shawm Players
shawms
Shi Tiesheng
Small Suona
State Troupes
Suide County
temple
Temple Fairs
Young Men
Yulin City
Zhang Zhentao

Product details

  • ISBN 9781138056787
  • Weight: 385g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This second volume of Stephen Jones' work on ritual and musical life in north China, again with accompanying downloadable resources, gives an impression of music-making in daily life in the poor mountainous region of Shaanbei, northwest China. It conveys some of the diverse musical activities there around 2000, from the barrage of pop music blaring from speakers in the bustling county-towns to the life-cycle and calendrical ceremonies of poor mountain villages. Based on the practice of grass-roots music-making in daily life, not merely on official images, the main theme is the painful maintenance of ritual and its music under Maoism, its revival with the market reforms of the 1980s, and its modification under the assaults of TV, pop music, and migration since the 1990s. The text is in four parts. Part One gives background to the area and music-making in society. Parts Two and Three discuss the lives of bards and shawm bands respectively, describing modifications in their ceremonial activities through the twentieth century. Part Four acclimatizes us to the modern world with glimpses of various types of musical life in Yulin city, the regional capital, illustrating the contrast with the surrounding countryside. The 44-minute downloadable resources, with its informative commentary, is intended both to illuminate the text and to stand on its own. It shows bards performing at a temple fair and to bless a family in distress, and shawm bands performing at a wedding, at funerals, and a shop opening - including their pop repertory with the 'big band'. Also featuring as part of these events are opera troupes, geomancers, and performing beggars; by contrast, the film shows a glimpse of the official image of Shaanbei culture as presented by a state ensemble in the regional capital. The publication will appeal to ethnomusicologists, anthropologists, and all those interested in modern Chinese history and society.
Dr Stephen Jones has carried out fieldwork on local traditions of Chinese music since 1986. He is author of Folk Music of China: Living Instrumental Traditions (1995/1998) and Plucking the Winds: Lives of Village Musicians in Old and New China (2004). His book Ritual and Music of North China: Shawm Bands in Shanxi (2007) is published by Ashgate. A Research Associate in the Department of Music at SOAS, University of London, Stephen Jones is also a violinist in London early music ensembles.