Ritual and Power in Stone

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A01=Julia Guernsey
Author_Julia Guernsey
Category1=Non-Fiction
Category=AFK
Category=AGA
Category=NL-AC
Category=NL-AF
COP=United States
Discount=15
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Format=BC
Format_Paperback
HMM=279
IMPN=University of Texas Press
ISBN13=9780292726048
Language_English
PA=Available
PD=20100701
POP=Austin
Price_€20 to €50
PS=Active
PUB=University of Texas Press
SMM=19
SN=The Linda Schele Series in Maya and Pre-Columbian Studies
Subject=Art Forms
Subject=History Of Art/art & Design Styles
TX
WG=898
WMM=216

Product details

  • ISBN 9780292726048
  • Format: Paperback
  • Weight: 594g
  • Dimensions: 216 x 279 x 19mm
  • Publication Date: 01 Dec 2006
  • Publisher: University of Texas Press
  • Publication City/Country: Austin, US
  • Product Form: Paperback
  • Language: English
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The ancient Mesoamerican city of Izapa in Chiapas, Mexico, is renowned for its extensive collection of elaborate stone stelae and altars, which were carved during the Late Preclassic period (300 BC-AD 250). Many of these monuments depict kings garbed in the costume and persona of a bird, a well-known avian deity who had great significance for the Maya and other cultures in adjacent regions. This Izapan style of carving and kingly representation appears at numerous sites across the Pacific slope and piedmont of Mexico and Guatemala, making it possible to trace political and economic corridors of communication during the Late Preclassic period.

In this book, Julia Guernsey offers a masterful art historical analysis of the Izapan style monuments and their integral role in developing and communicating the institution of divine kingship. She looks specifically at how rulers expressed political authority by erecting monuments that recorded their performance of rituals in which they communicated with the supernatural realm in the persona of the avian deity. She also considers how rulers used the monuments to structure their built environment and create spaces for ritual and politically charged performances. Setting her discussion in a broader context, Guernsey also considers how the Izapan style monuments helped to motivate and structure some of the dramatic, pan-regional developments of the Late Preclassic period, including the forging of a codified language of divine kingship. This pioneering investigation, which links monumental art to the matrices of political, economic, and supernatural exchange, offers an important new understanding of a region, time period, and group of monuments that played a key role in the history of Mesoamerica and continue to intrigue scholars within the field of Mesoamerican studies.

Julia Guernsey is Assistant Professor of Art History at the University of Texas at Austin.

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