Ritual Performance in Early Chinese Thought

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A01=Thomas Radice
aesthetics
Analects
Author_Thomas Radice
Category=AFKP
Category=QRRL1
Confucius
Dao
dramaturg
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
Kongzi
ornamentation
Ruism
spectatorship
Zhuangzi

Product details

  • ISBN 9781350359000
  • Weight: 300g
  • Dimensions: 150 x 232mm
  • Publication Date: 28 May 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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Examining early Chinese ritual discourse during the Warring States and early Western Han Periods, this book reveals how performance became a fundamental feature of ritual and politics in early China. Through a dramaturgical lens, Thomas Radice explores the extent to which performer/spectator relationships influenced all aspects of early Chinese religious, ethical, and political discourse.

Arguing that the Confucians conceived ritual as primarily a dramaturgical matter, this book demonstrates not only that theatricality was necessary for expression and deception in a community of spectators, but also how a theatrical ‘presence’ ultimately became essential to all forms of public life in early China. Thomas Radice illuminates previously unexplored connections between early Chinese texts, aesthetics, and traditions.

Thomas Radice is Professor of Chinese History at Southern Connecticut State University, USA.

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