Ritual Theatre of Theodoros Terzopoulos

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A01=Freddy Decreus
Absolute Metaphors
Alexandrinsky Theatre
Alla Demidova
Attis Actors
Author_Freddy Decreus
bioenergetics
bioenergetics in theatre
Category=ATDF
consciousness in performing arts
Dead Men
Ecstatic Body
embodiment theory
Energy Zone
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Existential Level
Feathered Serpent
Greek drama analysis
Hero's Journey
Hero’s Journey
Horror Movie
Human Suffering
Humanism
Impressive Scene
Intercultural Career
male chorus
mythological symbolism
mythology
Ohio Impromptu
performance studies
poststructuralist climate
ritualistic stage practice
Spinal Cord
The Return of Dionysos
Theodoros Terzopoulos
Vice Versa
Young Man

Product details

  • ISBN 9781138368569
  • Weight: 400g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Mar 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Ritual Theatre of Theodoros Terzopoulos outlines the story of the Athenian-based Attis Theatre and the way its founder and director, Theodoros Terzopoulos, introduced bio-energetic presences of the body on the stage, in an attempt to redefine and reappraise what it means today not only to have a body, but to fully be a body.

Terzopoulos created a very specific attitude towards life and death, and it is this broad perspective on energy and consciousness that makes his work so appealing both to a general public and to students of arts, theatre and drama. Freddy Decreus’ study charts the career of Greece’s most acclaimed theatre director and provides a spiritual and philosophic answer in times where former Western meta-narratives have failed.

Freddy Decreus is a Professor Emeritus at Ghent University, Belgium, by training a classical philologist. Decreus started to work at Ghent University in 1981, where he was responsible for courses in Latin Literature, Literary Theory, Mythology, Comparative Literature and Theatre History (esp. Ritual Theatre). Recent publications include Post- Colonial Perspectives on the Tragic (2004), The Performance of the Comic in Arabic Theatre (2005), Ritual Theatre (2009), Mythology (2009), and The Reception of Classics (2010). His main interest today is the Italian theatre of the Socìetas Rafaello Sanzio and the ritual theatre of Theodoros Terzopoulos (2016).

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