Robert Rauschenberg and Surrealism

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1955-1969
1960s
A01=Gavin Parkinson
Algeria
Andre Breton
Author_Gavin Parkinson
Category=ABA
Category=AGA
Category=AGB
Cold War
Contemporary Art
Dada
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Europe
International Surrealism
metaphor
Politics
Robert Rauschenberg
Surrealism
USA

Product details

  • ISBN 9781501358296
  • Weight: 780g
  • Dimensions: 156 x 232mm
  • Publication Date: 20 Apr 2023
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69.

In the face of Rauschenberg’s avowals of his own ‘literalism’ and insistence on his art as ‘facts,’ this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenberg’s art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artist’s work was turned towards political interpretation. By analysing Rauschenberg’s art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history.

Gavin Parkinson is Professor of European Modernism, The Courtauld Institute of Art, UK.

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