Robert Seymour and Nineteenth-Century Print Culture

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A01=Brian Maidment
Author_Brian Maidment
Blind Fiddler
British printmaking techniques
Caricature Tradition
Category=AGA
Category=AGB
Category=AKLB
Category=AKX
Comic Annual
Comic Grotesque
Comic illustration
Comic Magazine
Cruikshank's Work
Cruikshank’s Work
Dickens's Imagination
Dickens's Text
Dickens’s Imagination
Dickens’s Text
Dixon Hunt
early Victorian comic art analysis
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
graphic political commentary
Graphic Satire
Hall Plates
Humorous Sketches
literary illustration studies
National Biography
National Library
New Readings of Old Authors
Nineteenth Century Print Culture
nineteenth-century caricature
Odd Volume
Overburdened
Paint culture
Penny Magazine
periodical publishing history
Pickwick
Pocket Magazine
Popular Sketches
Print genres
Robert Seymour
Seymour's work
social satires
social transformations
Sporting Prints
Sweep's Boy
Sweep’s Boy
The Comic Magazine
Verbal Punning
Victorian afterlife
Victorian illustration
Victorian publications
visual satire
William Heath
Wood Engravings

Product details

  • ISBN 9780367709471
  • Weight: 240g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Jan 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Robert Seymour and Nineteenth-Century Print Culture is the first book-length study of the original illustrator of Dickens’s Pickwick Papers. Discussion of the range and importance of Seymour’s work as a jobbing illustrator in the 1820s and 1830s is at the centre of the book. A bibliographical study of his prolific output of illustrations in many different print genres is combined with a wide-ranging account of his major publications. Seymour’s extended work for The Comic Magazine, New Readings of Old Authors and Humorous Sketches, all described in detail, are of particular importance in locating the dialogue between image and text at the moment when the Victorian illustrated novel was coming into being.

Brian Maidment is Emeritus Professor of the History of Print in the English Department at Liverpool John Moores University and an ex-president of the Research Society for Victorian Periodicals. His books include The Poorhouse Fugitives (1987), Reading Popular Prints (1996), Dusty Bob: A Cultural History of Dustmen (2007) and Comedy, Caricature and the Social Order 18201850 (2013). He is currently completing a book on magazine illustration between 1820 and 1840.

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