Robert Wilson

Regular price €50.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Maria Shevtsova
Act Iii
American-European director
Author_Maria Shevtsova
avant-garde theatre
Baba Yaga
Baba Yaga's Hut
Baba Yaga’s Hut
Babette Mangolte
Bat Wings
Black Rider
Category=ATC
Category=ATD
contemporary scenography
Dan plays
Deafman Glance
Death Destruction
Decorative Task
Einstein on the Beach
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
experimental theatre techniques
Exterior Screen
folk-rock music theatre
Golden Cockerel
Ibsen's Text
Ibsen’s Text
Interior Screen
Knee Play
La Galigo
Maria Shevtsova
Nikolay Rimsky Korsakov
Peer Gynt
performance analysis
Pushkin's Fairy Tales
rehearsal methodology
Robert Wilson
Routledge Performance Practitioners
Silent Operas
Silent Play
stage composition
Swan Princess
Thalia Theatre
Tsar Saltan
Visual Book
visual dramaturgy
Wilson's Production
Wilson's Work
Wilson’s Production
Wilson’s Work

Product details

  • ISBN 9781138599420
  • Weight: 230g
  • Dimensions: 129 x 198mm
  • Publication Date: 25 Oct 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Robert Wilson is an American–European director who is also a performer, installation artist, writer, designer of light and much more besides – a crossover polymath who dissolves both generic and geographical boundaries and is a precursor of globalisation in the arts. This second edition of Robert Wilson combines:

  • an analysis of his main productions, situated in their American and European socio-cultural and political contexts
  • a focused, detailed study of Wilson’s pathbreaking Einstein on the Beach
  • a study of Pushkin's Fairy Tales as the foremost example of his folk-rock music theatre in the twenty-first century
  • an exploration of his ‘visual book’, workshop and rehearsal methods, and collaborative procedures
  • a study of his aesthetic principles and the elements of composition that distinguish his directorial approach
  • a series of practical exercises for students and practitioners highlighting Wilson’s technique.

As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.

Maria Shevtsova is Professor of Drama and Theatre Arts at Goldsmiths, University of London. Her books include Dodin and the Maly Drama Theatre: Process to Performance (2004), Fifty Key Theatre Directors (2005), Sociology of Theatre and Performance (2009), Directors/Directing: Conversations on Theatre (co-authored, 2009) and The Cambridge Introduction to Theatre Directing (co-authored, 2013). All her books have been translated into multiple languages, and she is co-editor of New Theatre Quarterly.

More from this author