Roc the Mic Right

Regular price €173.60
1972a
A01=H. Samy Alim
absence
African American English
artists
Author_H. Samy Alim
Black American Hip Hop Artists
Black American Speech Community
Black American Street Culture
Black Arts Movement
Black Male Hip Hoppers
Black Street Culture
Black Street Speech
Category=C
Category=JBCC
Category=JH
Category=NH
Common Language
copula
Copula Absence
culture
discourse communities
eq_bestseller
eq_dictionaries-language-reference
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnographic analysis
HHN
Hip Hop Artists
Hip Hop Culture
Hip Hop Headz
Hip Hop Lyrics
Hip Hop Nation Language
Hip Hop Poetics
hip-hop
labov
language
language ideology
linguistic analysis of hip hop lyrics
lyric
Minister Farrakhan
Mos Def
Muslim Hip Hop Artists
narrative sequencing
nation
Sister Souljah
sociolinguistics
Triple Rhymes
Unpublished Interview
White Public Space
Young Men

Product details

  • ISBN 9780415358774
  • Weight: 540g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Aug 2006
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Complementing a burgeoning area of interest and academic study, Roc the Mic Right explores the central role of language within the Hip Hop Nation (HHN). With its status convincingly argued as the best means by which to read Hip Hop culture, H. Samy Alim then focuses on discursive practices, such as narrative sequencing and ciphers, or lyrical circles of rhymers. Often a marginalized phenomenon, the complexity and creativity of Hip Hop lyrical production is emphasised, whilst Alim works towards the creation of a schema by which to understand its aesthetic.

Using his own ethnographic research, Alim shows how Hip Hop language could be used in an educational context and presents a new approach to the study of the language and culture of the Hip Hop Nation: 'Hiphopography'. The final section of the book, which includes real conversational narratives from Hip Hop artists such as The Wu-Tang Clan and Chuck D, focuses on direct engagement with the language.

A highly accessible and lively work on the most studied and read about language variety in the United States, this book will appeal not only to language and linguistics researchers and students, but holds a genuine appeal to anyone interested in Hip Hop or Black African Language.

H. Samy Alim is a visiting scholar in UCLA's anthropology department and author of You Know My Steez (2004) and co-author of Street Conscious Rap (1999). His research interests include Black Language, global Hip Hop Culture, and the street language, culture, and music of the Muslim world.