Rock Art and the Wild Mind

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A01=Ingrid Fuglestvedt
Age Group_Uncategorized
Age Group_Uncategorized
Alta Phase
Alta Rock Art
animism to totemism
Author_Ingrid Fuglestvedt
automatic-update
Basic Outset
big game depictions
Big Men
Body Fill
Category1=Non-Fiction
Category=ACC
Category=AGA
Chiasmatic Inversion
COP=United Kingdom
Delivery_Pre-order
Early Mesolithic
Early Neolithic
Eastern Norway
Eastern Norwegian Group
Elk Figure
Elk Head Poles
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Half Hexagons
hunter-gatherer art interpretation
Hunting Cycle
Language_English
Late Mesolithic
Late Mesolithic Rock Art
Mesolithic archaeology
Mesolithic Rock Art
Mm
Outer Focus
PA=Temporarily unavailable
prehistoric symbolism
Price_€20 to €50
PS=Active
Rock Art
Rock Art Areas
Rock Art Making
Scandinavian hunter-gatherers
Scandinavian Peninsula
softlaunch
Sogn Og Fjordane
Vertical Line Pattern
visual anthropology

Product details

  • ISBN 9780367890551
  • Weight: 760g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Rock Art and the Wild Mind presents a study of Mesolithic rock art on the Scandinavian peninsula, including the large rock art sites in Alta, Nämforsen and Vingen.

Hunters’ rock art of this area, despite local styles, bears a strong commonality in what it depicts, most often terrestrial big game in diverse confrontations with the human realm. The various types of compositions are defined as visual thematizations of the enigmatic relationship between humans and big game animals. These thematizations, here defined as motemes, are explained as being products of the Mesolithic mind ‘in action’, observed through repetitions, variations and transformations of a number of defined motemes. Through a transformational logic, the transition from ‘animic’ to ‘totemic’ rock art is observed. Totemic rock art reaches a peak during the final stages of the Late Mesolithic, and it is suggested that this can be interpreted as representing an increasing focus on human society towards the end of this era. The move from animism to totemism is explained as being part of the overall social development on the Scandinavian peninsula.

This book will be of interest to students of rock art generally and scholars working on the historical developments of prehistoric hunter-gatherers in northern Europe. It will also appeal to students and academics in the fields of art history and aesthetics and to those interested in the work of Lévi-Strauss.

Ingrid Fuglestvedt is a senior lecturer in archaeology at the University of Oslo, Norway.

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