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Roger Sessions on Music
Roger Sessions on Music
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A01=Roger Sessions
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American Musicological Society
Anecdote
Antithesis
Anton Webern
Arnold Schoenberg
Art music
Atonality
Author_Roger Sessions
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B01=Edward T. Cone
Calculation
Category1=Non-Fiction
Category=AVA
Category=KNTF
Centration
Composer
Consonance and dissonance
COP=United States
Creative work
Darius Milhaud
Definition of music
Delivery_Pre-order
Disenchantment
Don Giovanni
Early music
Electronic music
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Ernst Krenek
Gebrauchsmusik
Genre
Hans Pfitzner
Harmonic series (music)
Harmonielehre
Hector Berlioz
Heinrich Schenker
Igor Stravinsky
Interval (music)
Language_English
Leitmotif
Ludwig van Beethoven
Luigi Dallapiccola
Melodic pattern
Modulation (music)
Music criticism
Music Express
Music history
Music industry
Music theory
Musical analysis
Musical composition
Musical development
Musical expression
Musical History
Musical language
Musical syntax
Musical technique
Musicality
Musician
Neoclassicism
Oratorio
Orientalism
PA=Temporarily unavailable
Paul Hindemith
Phrase (music)
Physiognomy
Platitude
Polyphony
Popular music
Price_€100 and above
Program music
PS=Active
Rehearsal
Repercussion
Richard Wagner
Roger Sessions
Romanticism
Serialism
softlaunch
Song cycle
Symptom
Temporary Music
Tonality
Twelve-tone technique
Wagnerism
Product details
- ISBN 9780691635828
- Weight: 482g
- Dimensions: 152 x 235mm
- Publication Date: 19 Apr 2016
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Over the past fifty years Roger Sessions has developed, in articles, lectures, and addresses, various themes that reflect the stages of his own musical and intellectual growth. These themes form the basis of the present collection of essays. Many of the essays deal with specific problems that musicians, especially composers, have faced during the past five decades: problems related to new musical styles and techniques, to the position of composers in society, to their responsibilities as teachers, to their role during the period of the world wars, to the mutual reactions of composer and audience, and to the basic questions of musical form and expression. The collection also includes a set of critical essays on such seminal figures as Bloch, Schoenberg, and Stravinsky. Roger Sessions is the composer of a recently recorded cantata on Whitman's "When Lilacs Last in the Dooryard Bloom'd" as well as numerous other works. He is the author of The Musical Experience of Composer, Performer, and Listener (Princeton). Originally published in 1979.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Roger Sessions on Music
€192.20
