Role of the Literary Canon in the Teaching of Literature

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A01=Robert Aston
Adolescent Literature
American literature
Assemblage Subject
assemblage theory
assemblage theory application
Author_Robert Aston
Canon Criticism
canon formation theory
Canon Wars
Canonical Texts
Category=DSA
Category=DSB
Category=JNA
College Entrance Examination Board
Common Core Standards
contested texts in literature classrooms
Counter Canon
curriculum development
Dartmouth Seminar
Discursive Practices
ELA
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Foucault influence literature
Interpretive Practices
Kylene Beers
literary canon
literary gatekeeping
Literature Anthologies
Literature Curricula
NCLB
NCLB Act
NCTE
Overburdened
secondary education pedagogy
Secondary English Classrooms
teaching standards
Text Selection
Text Selection Process
Vice Versa

Product details

  • ISBN 9780367432621
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 07 Jul 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book investigates the role of the idea of the literary canon in the teaching of literature, especially in colleges and secondary schools in the United States. Before the term "canon" was widely used in literary studies, which occurred in the second half of 20th century when the canon was first seriously viewed as politically and culturally problematic, the idea that some literary texts were more worthy of being studied than others existed since the beginning of the discipline of the teaching of literature in the 1800s. The concept of the canon, however, extends as far back as to Ancient Greece and its meaning has evolved over time. Thus, this book charts the changing meaning of the idea of the literary canon, examining its influence specifically in the teaching of literature from the beginning of the field to the 21st century. To explain how the literary canon and the teaching of literature have changed over time and continue to change, this book constructs a theory of canon formation based on the ideas of Michel Foucault and the assemblage theory of Manuel DeLanda, illustrating that the literary canon, while frequently contested, is integral to the teaching of literature yet changes as the teaching of literature changes.

Robert J. Aston received his Ph.D. from Columbia University. He has taught secondary English for over ten years and in both California and New York; he has also taught at Columbia University’s Teachers College. His research, influenced heavily by the ideas of Michel Foucault, focuses on canon theory, literary knowledge, and assemblage theory.

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