Roman Poets in Modern Guise

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A01=Theodore Ziolkowski
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Anglo-American poets
Augustan Rome
Author_Theodore Ziolkowski
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Category1=Non-Fiction
Category=DSB
classical poetry
COP=United States
Delivery_Delivery within 10-20 working days
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French poets
German poets
Language_English
literary criticism
literary influence
literary themes
MD
modern poets
modern reception
PA=Available
Price_€50 to €100
PS=Active
Roman heritage
Roman influence
Roman modes
Roman poetry
Roman symbolism
softlaunch

Product details

  • ISBN 9781640140776
  • Weight: 522g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 May 2020
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Identifies and explores Roman modes of poetry as received by twentieth- and twenty-first-century Anglo-American, German, and French poets. Analogies with Rome have been a powerful motif in American thought - and poetry - since the Founding Fathers. They resurged in the twentieth century, and especially after World War II, when the US saw its mission as analogous to that of Augustan Rome - a theme conspicuous in Robert Frost's poem for the Kennedy inauguration, which prophesied "The glory of a next Augustan age." This theme showed up in the poetry of other countries too. The Roman mode that Frost proclaimed was evident in not only American, but also French and German treatments of Virgil's Eclogues. Horace figures in poets from Bertolt Brecht and Ezra Pound down to James Wright. The Augustan poets were displaced during the more cynical postwar years by their Republican counterparts: the poet/scientist Lucretius (especially in Germany), the poet/lover Catullus, and the outsider Propertius. And the poets of the empire - Ovid, Seneca, and Juvenal - added certain dissonances to the Roman harmony. In a period when all the arts have looked increasingly to the past for models, the Roman poets have offered modern ones a wide variety of attitudes - from the patriotic fervor of Virgil and Horace to the cultural cynicism of Juvenal. All these tones are evident in the Anglo-American, German, and French examples discussed in this book.
Theodore Ziolkowski is Professor Emeritus of German and Comparative Literature, Princeton University.

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