Romantic Paradox

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19th Century Literature
A01=C.C. Clarke
Akenside influence
ambiguity in Wordsworth's poetry
Author_C.C. Clarke
British Romanticism
Category=DSBF
Category=DSC
Clear Hills
Criticism
Deep Seclusion
Epistemological Animal
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eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Extreme Ordinariness
Fenwick Note
Houseless Woods
Human Suffering
Im Press
literary analysis
Mental Evolution
perceptual theory
poetic ambiguity
poetic form interpretation
Poetry
Rain Drops
Real Solid World
Romanticism
Ruined Cottage
Solemn Imagery
Uncouth Shape
Vagrant Dwellers
Wanderer's Tale
Word Forms
Wordsworth
Young Man

Product details

  • ISBN 9781138672802
  • Weight: 370g
  • Dimensions: 129 x 198mm
  • Publication Date: 31 May 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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First published in 1962, this book reveals unexpected complexity or equivocation in Wordsworth’s use of certain key words, particularly ‘image’, ‘form’ and ‘shape’. The author endeavours to show that this complexity is related to the poet’s awareness of the ambiguity of the perceptual process. Numerous passages from The Prelude and other poems are analysed to illustrate the argument and to show that, because of this doubt or hidden perplexity, Wordsworth’s poetry has a far richer texture, is more concentrated, intricately organised and loaded with ambivalent meanings than it would otherwise have been. New light is also shed on Wordsworth’s debt to Akenside.

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