Romantic Voices

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A01=Douglass Seaton
Analyzing Romantic music structure and culture
Author_Douglass Seaton
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How Romantic music expresses fictive personalities
Ideology in Romantic classical music
Interpreting 19th-century music through Romanticism
Misconceptions about Romantic composer biographies
Romantic music and composer identity
Understanding Romantic composers through their music

Product details

  • ISBN 9798855804331
  • Weight: 635g
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Dec 2025
  • Publisher: State University of New York Press
  • Publication City/Country: US
  • Product Form: Hardback
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Illuminates how Romantic aesthetic principles manifest themselves through musical sound and structure.

In Romantic Voices Douglass Seaton explores the underlying subjectivism whereby nineteenth-century musical works depend on and manifest the ideology and epistemology of Romanticism. Listeners and students have often imagined in a too-casual way that Romantic music reveals the inner biographies of composers. That easy assumption, however, leads to misunderstandings of both the biographical composers and the actual but fictive personas who do express themselves in the music. In a dozen studies of works by major Romantic composers, in genres ranging from instrumental solos to symphonies and from songs to opera, Seaton presents new ways to understand these works within the context of the Romantic movement. The book demonstrates how a discerning approach to this music can unveil the fictive personalities who express themselves in each piece. Seaton embraces transmethodological approaches that harmonize close attention to the sound and structure of individual pieces, their cultural and social history, and what composers, critics, and listeners have said about them. Among the works included are Beethoven's "Tempest" Sonata, Schubert's Heine Songs, Berlioz's Harold in Italy, Schumann's Eichendorff Liederkreis, Liszt's "Vallée d'Obermann," Verdi's Otello, and MacDowell's "Keltic" Sonata.

Douglass Seaton is Warren D. Allen Professor of Music Emeritus at Florida State University. He is the author of Ideas and Styles in the Western Musical Tradition.

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