Romeo and Juliet

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Act III
Ashcroft Dame Peggy
Balcony Scene
Barbara Hodgdon
Brenda Bruce
Capulet Ball
Capulet's House
Capulet’s House
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Category=ATD
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Category=DSG
CoppA Kahn
D. A. Traversi
Douglas L. Peterson
dramatic structure analysis
Edward Snow
Elizabethan cultural context
Elizabethan literature
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eq_biography-true-stories
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Fiery Footed Steeds
Fortune's Fool
Fortune’s Fool
Franklin M. Dickey
Friar's Cell
Friar’s Cell
Gallop Apace
Garish Sun
gender studies
Harry Levin
Holy Man
J. W. Draper
Jack Jorgens
James Black
James C. Bryant
James L. Calderwood
Julie Harris
Juliet's Age
Juliet's Chamber
Juliet's Death
Juliet's Tomb
Juliet’s Age
Juliet’s Chamber
Juliet’s Death
Juliet’s Tomb
Lady Capulet
Lammas Eve
literary interpretation
M. M. Mahood
Marianne Novy
Marjorie Garber
Mercutio's Death
Mercutio’s Death
morality in drama
performance criticism
Philip C. Mcguire
Prince Escalus
Queen Mab Speech
Ralph Berry
Richard III
Robert Hapgood
Romeo's Banishment
Romeo's Love
Romeo’s Banishment
Romeo’s Love
Shakespeare's Playtext
Shakespeare’s Playtext
Stanley Wells
Susan Snyder
Tybalt's Death
Tybalt’s Death
Young Men

Product details

  • ISBN 9781138849754
  • Weight: 635g
  • Dimensions: 138 x 216mm
  • Publication Date: 02 Apr 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Originally published in 1993. Presenting excerpts and articles on the themes and characters from the most famous story of young lovers, this collection brings together scholarship relating to the language, performance, and impact of the play. Ordered in three parts, the chapters cover analysis, reviews and interpretation from a wide ranging array of sources, from the play’s contemporary commenters to literary critics of the early 1990s. The volume ends with an article by the editor on the action in the text which concludes the final section of 8 pieces looking at the story as being a product of Elizabethan Culture. It considers the attitude to the friar, to morality and suicide, the stars and fate, and gender differences. Comparisons are made to Shakespeare’s source as well as to productions performed long after the Bard’s death.

John F. Andrews is President of the Shakespeare Guild.