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Rooted Jazz Dance

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African American Dance
African American History
African American vernacular
African roots
Africanist aesthetic
American Jazz Dance
Appropriation
call-and-response
Camel Walk
Capezio Award
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Choreography
Codification
Concert Jazz
contemporary jazz
Covid-19
critical race theory
Dance Education
Dance Magazine Award
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equity
George Floyd
Gus Giordano
James Brown
Jazz Dance
jazz dance companies
Jazz Music
Kennedy Center Award
Lindy Hop
non-profit dance companies
Pedagogy
performance
racism
Reparations
Technique
transatlantic slave trade
White Supremacy

Product details

  • ISBN 9780813069111
  • Weight: 663g
  • Dimensions: 155 x 233mm
  • Publication Date: 01 Feb 2022
  • Publisher: University Press of Florida
  • Publication City/Country: US
  • Product Form: Hardback
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Description
An African American art form, jazz dance has an inaccurate historical narrative that often sets Euro-American aesthetics and values at the inception of the jazz dance genealogy. The roots were systemically erased and remain widely marginalized and untaught, and the devaluation of its Africanist origins and lineage has largely gone unchallenged. Decolonizing contemporary jazz dance practice, this book examines the state of jazz dance theory, pedagogy, and choreography in the twenty-first century, recovering and affirming the lifeblood of jazz in Africanist aesthetics and Black American culture.

Rooted Jazz Dance brings together jazz dance scholars, practitioners, choreographers, and educators from across the United States and Canada with the goal of changing the course of practice in future generations. Contributors delve into the Africanist elements within jazz dance and discuss the role of Whiteness, including Eurocentric technique and ideology, in marginalizing African American vernacular dance, which has resulted in the prominence of Eurocentric jazz styles and the systemic erosion of the roots. These chapters offer strategies for teaching rooted jazz dance, examples for changing dance curriculums, and artist perspectives on choreographing and performing jazz. Above all, they emphasize the importance of centering Africanist and African American principles, aesthetics, and values.

Arguing that the history of jazz dance is closely tied to the history of racism in the United States, these essays challenge a century of misappropriation and lean in to difficult conversations of reparations for jazz dance. This volume overcomes a major roadblock to racial justice in the dance field by amplifying the people and culture responsible for the jazz language.
About
Lindsay Guarino, associate professor of dance and chair of the Department of Music, Theatre and Dance at Salve Regina University, is coeditor of Jazz Dance: A History of the Roots and Branches.

Carlos R.A. Jones, associate dean of the school of Arts and Sciences and professor of musical theatre and dance at the State University of New York College at Buffalo, is a performer and choreographer whose works have appeared on television, film, and regional theatre.

Wendy Oliver, professor of dance and chair of the Department of Theatre, Dance, and Film at Providence College, is coeditor of Jazz Dance: A History of the Roots and Branches.