Roots of the Black Chicago Renaissance

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African American poetry
Alain Locke
Anthony Overton
black Creole
black feminism
Black Metropolis
black patronage
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Category=AGA
Category=JBSL
Category=NHTB
Champion Magazine
Chicago Defender
Christianity
civilization
class structure
cultural capital
cultural geography
Dewey Roscoe Jones
Englewood
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eq_history
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exceptionalism
Fannie Barrier Williams
Fenton Johnson
Frank Marshall Davis
Frederick Douglass
George Washington Ellis
Harlem Renaissance
Hazel Thompson Davis
Henry Demarest Lloyd
intelligentsia
interracial patronage
James David Corrothers
Jesse Binga
John Roy Lynch
King Daniel Ganaway
literary arts
literary circle
literary criticism
literary entrepreneur
modernity
national identity
Negro in Art Week
New Negro Woman
performing arts
photography
Pictorialist School
popular culture
portraiture
pragmatism
racial identity
racial representation
recovery
Richard T. Greener
Richard Wright
Robert S. Abbott
S. Laing Williams
social origins
theatrical workforce
urban
vaudeville
vernacular
visual arts
W.E.B. Du Bois
W.H.A. Moore
Wanamaker Prize
women's clubs
women’s clubs
World's Columbian Exposition
World's Congress of Representative Women
World’s Columbian Exposition
World’s Congress of Representative Women

Product details

  • ISBN 9780252043055
  • Weight: 626g
  • Dimensions: 156 x 235mm
  • Publication Date: 29 May 2020
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Hardback
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The Black Chicago Renaissance emerged from a foundational stage that stretched from the 1893 World's Columbian Exposition to the start of the Great Depression. During this time, African American innovators working across the landscape of the arts set the stage for an intellectual flowering that redefined black cultural life.

Richard A. Courage and Christopher Robert Reed have brought together essays that explore the intersections in the backgrounds, education, professional affiliations, and public lives and achievements of black writers, journalists, visual artists, dance instructors, and other creators working in the late nineteenth and early twentieth centuries. Organized chronologically, the chapters unearth transformative forces that supported the emergence of individuals and social networks dedicated to work in arts and letters. The result is an illuminating scholarly collaboration that remaps African American intellectual and cultural geography and reframes the concept of urban black renaissance.

Contributors: Richard A. Courage, Mary Jo Deegan, Brenda Ellis Fredericks, James C. Hall, Bonnie Claudia Harrison, Darlene Clark Hine, John McCluskey Jr., Amy M. Mooney, Christopher Robert Reed, Clovis E. Semmes, Margaret Rose Vendryes, and Richard Yarborough

Richard A. Courage is a Distinguished Teaching Professor at the State University of New York, and a professor of English at Westchester Community College/SUNY. He is the coauthor of The Muse in Bronzeville: African American Creative Expression in Chicago, 1932–1950. Christopher Robert Reed is a professor emeritus of history at Roosevelt University. His books include Knock at the Door of Opportunity: Black Migration to Chicago, 1900–1919 and The Rise of Chicago's Black Metropolis, 1920–1929.