Rossini and Post-Napoleonic Europe

Regular price €92.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
1830 Revolution
A01=Warren E. Roberts
A01=Warren E. Warren E. Roberts
Age Group_Uncategorized
Age Group_Uncategorized
Author_Warren E. Roberts
Author_Warren E. Warren E. Roberts
automatic-update
Category1=Non-Fiction
Category=AVGC
Category=AVH
Category=AVLA
Category=AVN
Category=AVP
COP=United States
cultural insights
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
European history
history commentary
Language_English
music commentary
music theory
musical development
Napoleonic domination
operas
PA=Available
political commentary
politics
Post-Napoleonic Europe
Price_€50 to €100
PS=Active
religion
Rossini
satire
softlaunch

Product details

  • ISBN 9781580465304
  • Weight: 464g
  • Dimensions: 152 x 229mm
  • Publication Date: 20 Oct 2015
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns
Warren Roberts has discovered a Rossini that others have not seen, a composer who commented ironically and satirically on religion and politics in Post-Napoleonic Europe. This book examines Rossini within the context of his own time, one of Napoleonic domination of Italy, restoration of the Bourbon monarchy in Naples in 1815, and the 1830 Revolution in Paris. Using the techniques of the historian,and reading librettos as texts, the author analyzes the five operas treated in detail in the book (Il barbiere di Siviglia, Cenerentola, La gazza ladra, Matilde di Shabran, and Il viaggio a Reims) as responses, each in its own way, to the history that the composer experienced. Roberts shows that Rossini made probing commentaries on politics and religion in a time of reaction and revolution, and that the composer was well-informed on post-Napoleonic politics. Rossini's comic writing served very serious purposes, exposing the problems and complications of an age that he observed with striking clarity. Warren Roberts is Professor Emeritusof History at the University at Albany, SUNY, and has published extensively on eighteenth-century French culture.

More from this author