Round Our Way

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1980s
20th-century history
A01=Heather Nicholson
Age Group_Uncategorized
Age Group_Uncategorized
amateur filmmaker
archive photography
Author_Heather Nicholson
automatic-update
Bradford
Brian Redhead
Burnley
Category1=Non-Fiction
Category=APFA
Category=APFB
Category=ATFA
Category=ATFB
Category=HBJD1
Category=NHD
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
innovation
intimate glimpses
Lancashire
Language_English
local history
Lowry of filmmaking
northern England
PA=Available
photography
pioneering filmmaker
Price_€20 to €50
PS=Active
Sam Hanna
softlaunch
stills
technology
the lives of strangers
trajectory of time
unique visual record

Product details

  • ISBN 9781838369361
  • Dimensions: 200 x 250mm
  • Publication Date: 04 Jun 2024
  • Publisher: Pendle Press
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Sam Hanna (1903-96), a pioneering filmmaker from Burnley, Lancashire, was dubbed the ‘Lowry of filmmaking’ by BBC broadcaster Brian Redhead in the 1980s. The well-meant label stuck, even though it misses the variety of Hanna’s remarkable output.

Hanna’s intimate glimpses into the lives of strangers enable us to imagine the possible stories that lie behind the images. Away from mid-century exponents of documentary filmmaking and photography, Hanna shows us humanity and a microcosm of a world in change, where his subjects are caught up in issues far beyond their grasp that we, as onlookers years later, encounter and see afresh.

Written and curated by historian Heather Norris Nicholson, Round our way combines stills, essays and archive photography to document Hanna’s unique visual record on film, particularly in northern England, but also further afield, during decades of profound change.

Heather Norris Nicholson has a background in interdisciplinary teaching and research, including social change, tourism history, migration history, cultural identity and memory, and also indigenous documentary filmmaking in Canada.

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