Routledge Companion to Applied Musicology

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Acoustic Niches
advanced applied musicology approaches
Aesthetic Music Therapy
Applied Musicology
Artistic Citizenship
audience studies
audiences
BBC Prom
buildings
Category=AVLA
Category=KNTF
Chopin
Community Music Therapy
Crystal Palace Saturday Concerts
dialogues
Eeyou Istchee
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
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eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethnomusicology methods
Federal Music Project
Friedrich Chrysander
health and wellbeing music
III's Paris
muscial meaning
Music Education
music psychology
Music Therapy
Musician UK
NGO Intervention
Opera Cinema
organology research
parental advisory
Performance
Philipp Spitta
Practice Led Research
Public Engagement
Public Musicology
qualitative music research
Rap
recordings
Stem Subject
Vice Versa
Young Man
Zygonic Relationships
Zygonic Theory

Product details

  • ISBN 9780367488253
  • Weight: 740g
  • Dimensions: 178 x 254mm
  • Publication Date: 27 Jun 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Routledge Companion to Applied Musicology brings together academics, artist-researchers, and practitioners to provide readers with an extensive and authoritative overview of applied musicology.

Once a field that addressed music’s socio-political or performative contexts, applied musicology today encompasses study and practice in areas as diverse as psychology, ecomusicology, organology, forensic musicology, music therapy, health and well-being, and other public-oriented musicologies. These rapid advances have created a fast-changing field whose scholarship and activities tend to take place in isolation from each other. This volume addresses that shortcoming, bringing together a wide-ranging survey of current approaches.

Featuring 39 authors, The Routledge Companion to Applied Musicology falls into five parts—Defining and Theorising Applied Musicology; Public Engagement; New Approaches and Research Methods; Representation and Inclusion; and Musicology in/for Performance—that chronicle the subject’s rich history and consider the connections that will characterise its future. The book offers an essential resource for anyone exploring applied musicology.

Chris Dromey is Associate Professor of Music at Middlesex University, where he has led BA Music Business and Arts Management since 2006. He is co-editor of The Classical Music Industry (Routledge, 2018).