Routledge Companion to Commedia dell'Arte

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Andrew Grewar
Anna Cottis
Anne E. MacNeil
Antonio Scuderi
Barry Grantham
Carlo Boso
Carlo Mazzoni-Clementi
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Claudia Orenstein
comic theatre history
Dario Fo
Davis Robinson
Didi Hopkins
Domenico Pietropaolo
Eileen Cottis
Elizabeth C. Goldsmith
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European theatre traditions
Fabio Mangolini
Fava
Franklin J. Hildy
Giogio Strehler
Giovanni Poli
Giulia Filacanapa
Goldoni
Gozzi
Harlequin
Il Capitano
Il Dottore
J. Douglas Clayton
Joan Schirle
John Rudlin
Kate Meehan
Kathy Foley
Katrien van Beurden
Lazzi
Linda L. Carroll
M. A. Katritzky
Mace Perlman
Mark Evans
masked comedy research methods
masked performance
Matthew R. Wilson
Mike Griffin
Nancy L. D'Antuono
Olly Crick
Pantalone
Paul Monaghan
Pierrot
Pietropaolo
Pulchinella
Renaissance drama studies
Roger Savage
Rudlin
Sara Romersberger
slapstick techniques
stock character analysis
Thomas F. Heck
Venice
Zanni

Product details

  • ISBN 9781138224995
  • Weight: 1000g
  • Dimensions: 174 x 246mm
  • Publication Date: 01 Feb 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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From Commedia dell’Arte came archetypal characters that are still with us today, such as Harlequin and Pantalone, and the rediscovered craft of writing comic dramas and masked theatre. From it came the forces that helped create and influence Opera, Ballet, Pantomime, Shakespeare, Moliere, Lopes de Vega, Goldoni, Meyerhold, and even the glove puppet, Mr Punch.

The Routledge Companion to Commedia dell’Arte is a wide-ranging volume written by over 50 experts that traces the history, characteristics, and development of this fascinating yet elusive theatre form. In synthesising the elements of Commedia, this book introduces the history of the Sartori mask studio; presents a comparison between Gozzi and Goldoni’s complicated and adversarial approaches to theatre; invites discussions on Commedia’s relevance to Shakespeare, and illuminates re-interpretations of Commedia in modern times.

The authors are drawn from actors, mask-makers, pedagogues, directors, trainers, and academics, all of whom add unique insights into this fundamental pillar of western theatre. Notable contributions include:

• Donato Sartori on the twentieth century Sartori mask

• Rob Henke on the Form and Freedom in Commedia Improvisation

• Anna Cottis on Carlo Boso

• Didi Hopkins on One Man, Two Guv’nors

• Kenneth Richards on acting companies

• Antonio Fava on Commedia dell’Arte

• Joan Schirle on Carlo Mazzone-Clementi and women in Commedia

• M. A. Katritzky on Commedia Iconography.

Judith Chaffee is Associate Professor of Theatre at Boston University, and head of movement training for actors. She trained in Commedia with Antonio Fava, Julie Goell, Stanley Allen Sherman, and Carlos García Estévez.
Olly Crick is a performer, trainer and director, having trained in Commedia under Barry Grantham and Carlo Boso. He is founder of The Fabulous Old Spot Theatre Company.