Routledge Companion to Latin American Cinema

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AdriPerez Melgosa
Alejandro Kelly Hopfenblatt
Amalia Crdova
Amores Perros
Ana M. Lpez
Andrea Cuarterolo
Anna M. Lopez
Argentina Sono Films
Argentinian Cinema
audiovisual intermediality
Brazilian Cinema
Carlos Reygadas
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Chilean Cinema
Contemporary Latin American Cinema
Cuban Cinema
David Wood
De La Luz
Diarios De Motocicleta
documentary aesthetics
Dolores Tierney
Early Sound Cinema
Early Twentieth Century Latin America
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Fernando Birri
Fernando Meirelles
film festival analysis
film historiography
Film Studies
Freya Schiwy
Geoffrey Kantaris
Gerard Dapena
Gonzalo Aguilar
Hubert Bals Fund
Ignacio M. Shez Prado
Instituto Cubano Del Arte
Jens Andermann
Joanna Page
Juan Poblete
Latin American Cinema
Latin American Film Industries
Latin American film production systems
Latin American Film Scholarship
Latin American Filmmakers
Laura Isabel Serna
Laura Podalsky
Laura Podolsky
Lisa Shaw
Luis Duno-Gottberg
Luisela Alvaray
Maite Conde
Maria Fernanda Arias Osorio
Maria Luisa Ortega
Mariana Lacunza
Mariano Mestman
Marvin D'Lugo
Marvin D’Lugo
Masha Salazkina
media activism
Mexican Cinema
Mexican Film Industry
Miguel Fernez Labayen
Niamh Thornton
Nilo Couret
Ojo De Agua
Pablo Trapero
Rielle Navitski
Roberto Carlos Ortiz
Routledge Companions
Salome Aguilera Skvirsky
Silvana Flores
Suite Habana
Tamara L. Falicov
transnational film studies
Tropa De Elite
Victoria Ruetalo
World Cinema Fund
Young Man

Product details

  • ISBN 9781138855267
  • Weight: 960g
  • Dimensions: 174 x 246mm
  • Publication Date: 21 Sep 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Routledge Companion to Latin American Cinema is the most comprehensive survey of Latin American cinemas available in a single volume. While highlighting state-of-the-field research, essays also offer readers a cohesive overview of multiple facets of filmmaking in the region, from the production system and aesthetic tendencies, to the nature of circulation and reception. The volume recognizes the recent "new cinemas" in Argentina, Brazil, Chile, and Mexico, and, at the same time, provides a much deeper understanding of the contemporary moment by commenting on the aesthetic trends and industrial structures in earlier periods. The collection features essays by established scholars as well as up-and-coming investigators in ways that depart from existing scholarship and suggest new directions for the field.

Marvin D’Lugo is Research Professor at Clark University, USA. He has written extensively on Hispanic transnational cinema, focusing on "audio politics" in Latin American film. He is currently completing a book on the digital cinema revolution in Mexico.

Ana M. López is Director of the Cuban and Caribbean Studies Institute at Tulane University, USA. Her research is focused on Latin American and Latino film and cultural studies. She is currently the editor of Studies in Spanish and Latin American Cinemas.

Laura Podalsky has authored The Politics of Affect and Emotion in the Contemporary Latin American Cinema (2011) and Specular City: Transforming Culture, Consumption, and Space in Buenos Aires, 1955–1973 (2004). She teaches Latin American film and cultural studies at the Ohio State University, USA.