Routledge Companion to Literature and Emotion

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Aesthetic Emotions
aesthetics
aesthetics of poetry
affect
Affect Theory
affective ecocriticism
affective historicism
affective neuroscience
affective practices
affective structures
alcoholism
anger
Apollonius of Rhodes
apostrophe
Appraisal
Aristotle
Artefact Emotion
attachment
attachment-detachment
audiovisual media
basic emotions
Basic Emotions Theorists
bildungsroman
Black feminisms
British Empire
Cardinal Thomas Wolsey
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Category=JMQ
Category=PSAN
character
Chaucer
Chaucer's Writing
Chaucer’s Writing
Climate Fiction
cognition
cognitive literary studies
colonizer
Comedy
coming of age
conceptual integration
conceptual metaphor
Conceptual Metaphors
Conceptual Metonymy
Conrad
constructed emotion
context
Craft Analysis
creativity
criterial prefocussing
cultural studies
Cymbeline
decolonization
defamiliarization
Default Mode Network
Dhvani
direct address
disability
discourse
disgust
Early Modern Emotion
eco-criticism
econarratology
Edmund Spenser
Elizabeth Bishop
Elizabeth Bowen
embodied cognition
embodied simulation
embodiment
emotion
emotion concepts
emotion in literary analysis
emotion regulation
Emotion Systems
emotional contagion
Emotional Tears
emotions in the lyric
empathy
empathy research
Empiricism
enactivism
encapsulated interest
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eq_biography-true-stories
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eq_nobargain
eq_non-fiction
eq_science
eq_society-politics
ethics
ethnoracial pause
Eve Kosofsky Sedgwick
evolution
exploration
expression
fair play
fascination
Fatwa
feminism
fiction
Fictional Emotions
film
force dynamics
frames
G. Gabrielle Starr
Gender
gender and emotion
Gilles Deleuze
Gone Girl
Gothic fiction
Graphic Fiction
graphic narrative
Green Corn
Habila
habitus
Hamlet
Hans Robert Jauss
Hans Ulrich Gumbrecht
healing
historical periodisation
history of emotion
history of emotions
history of literature
identification
image schema
inferences
Intergroup Emotion
Interpersonal Stance
irony
Jenefer Robinson
Jonathan Haidt
Joseph Henrich
Joshua Greene
Kendall Walton
King Lear
literary creativity
Literary Darwinism
literary genres
literary judgement
literary meaning
literary reading
literary universals
literature
love
Macbeth
marginalization
materiality
Medea
mediality
mental imagery
mental simulation
mental spaces
Milton
mind-modelling
mind-style
mirror neurons
Murder of Roger Ackroyd
narrative
Narrative Empathy
narrative ethics
narrative genres
narrative permissibility
narrative resolution
narrator
neocolonialism
neuroscience
Nigerian fiction
Orientalism
Orphan of Zhao
paradox of fiction
paradox of tragedy
Parasocial Relationships
participation
passions
PEN International
phenomenology
Plato
plot
plot tricks
poetic imagery
poetics
post-structuralism
postcolonial
postcolonial criticism
posthumanism
predictive processing
prose fiction
PSR
psychotherapy
queer studies
queer theory
R.G. Collingwood
race
race and ethnicity
racialization
Rasa
reader emotions
reception studies
Reception Theory
Reciprocal Altruism
reparative reading
Research Methods
Restoration drama
rhetoric
Romeo and Juliet
sexual literacy
sexuality
Shakespeare
similarity assessment
simulation
situation models
slavery
social capital
social cognition
social construction
sociology of emotion
spatial cognition
Stanley Fish
stigmatization
story function
story structure
Strategic Empathy
strategic narrative empathy
structures of feeling
style
sublime
Susanne K. Langer
sympathy
Teens
Text processing
texture
The Godfather
the Sympathizer
The Tempest
The Water Knife
The Years
tone
Tragedy
transportation
trauma
trauma theory
Trust
universals
unreliable narration
Usual Suspects
Vice Versa
Viet Thanh Nguyen
Virginia Woolf
W.S. Merwin
Weird People
WEIRD societies
Weird Society
Winter's Bone
Winter’s Bone
Young Man

Product details

  • ISBN 9780367409159
  • Weight: 1220g
  • Dimensions: 174 x 246mm
  • Publication Date: 06 Apr 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to reading literature and emotion.

Looking at a variety of formats, including novels, drama, film, graphic fiction, and lyric poetry, the book also includes focus on specific authors such as Shakespeare, Chaucer, Jane Austen, Virginia Woolf, and Viet Thanh Nguyen. The volume introduces the theoretical groundwork, covering such categories as affect theory, affective neuroscience, cognitive science, evolution, and history of emotions. It examines the range of emotions that play a special role in literature, including happiness, fear, aesthetic delight, empathy, and sympathy, as well as aspects of literature (style, narrative voice, and others) that bear on emotional response. Finally, it explores ethical and political concerns that are often intertwined with emotional response, including racism, colonialism, disability, ecology, gender, sexuality, and trauma.

This is a crucial guide to the ways in which new, interdisciplinary understandings of emotion and affect—in fields from neuroscience to social theory—are changing the study of literature and of the ways those new understandings are impacted by work on literature also.

Patrick Colm Hogan is Board of Trustees Distinguished Professor in the Department of English and the Program in Cognitive Science at the University of Connecticut, USA.

Bradley J. Irish is Associate Professor of English at Arizona State University, USA.

Lalita Pandit Hogan is Professor Emerita of English at the University of Wisconsin, La Crosse, USA.