Routledge Companion to Marxisms in Art History

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aesthetics
anticapitalism
art
art criticism
art history
artwork
Avant-garde
bureaucracy
capitalism
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communism
communist
critical theory
deskilling in art
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eq_society-politics
feminism
gaming
Georg Lukacs
government
Grundrisse
Guy Debord
hegemony
Henri Lefebvre
Herbert Marcuse
historical materialism
identity
ideology
Irrational
Karl Marx
labor
labour
leisure
Magritte
Marxism
marxist
marxist approaches to visual culture
Meyer Schapiro
political economy culture
politics
post-communist
radical
realism
Russia
social class
social history of art
Soviet
Stalin
T.J. Clark
videogame
visual culture
visual sociology
visual studies
Walter Benjamin
working-class

Product details

  • ISBN 9780367650094
  • Weight: 1150g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Mar 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This companion is an essential contribution to the study of historical materialism in general and the social history of art in particular.

Each chapter in the collection focuses on a key figure, concept or historical epoch. Increasingly, scholars adopt an array of Marxist methods intertwined with a host of other theoretical practices, particularly the historiography of key issues regarding hegemony, ideology and identity. Ideological issues of connoisseurship, patronage and analyses of the artwork as a form of labor and leisure are essential to the practice of Marxisms in art history. This collection spotlights a plurality of Marxian theories in which the ideas of such figures as Walter Benjamin, Guy Debord and T.J. Clark are debated and developed through analyses of the socio-historical conditions that impact how art is produced, circulated and received. This ultimately underscores that the historical contextualization of artworks and their "markets" within a class-based society is crucial for writing socially engaged art history.

This book will be of interest to scholars working in art history, visual studies, visual sociology, communication studies and the sociology of art.

Tijen Tunalı is a research fellow at the Aarhus Institute of Advanced Studies at Aarhus University.

Brian Winkenweder is Professor of Art History and Chair of the Art Department at Linfield University.