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Routledge Companion to Music and Visual Culture

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Act III
advanced study of music and visual interaction
art
art and music
art history
audiovisual art
audiovisual culture
auditory perception studies
Balet Comique De La Royne
Category=AB
Category=AV
Cathode Ray Oscilloscope
Chopin
cultural history
cultural representation theory
cultural studies
Digital Games
earring
eq_art-fashion-photography
eq_bestseller
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eq_music
eq_nobargain
eq_non-fiction
Ethnomusicological Studies
fantastical
Fantastical Gap
film
Film Music
Film Songs
Game Developers
gap
girl
Gogh
Gotthold Ephraim Lessing
Hindi Film
Hindi Film Music
Hindi Film Songs
interdisciplinary research methods
JeanBaptiste Lully
material culture
Mendelssohn's Fingal's Cave
Mendelssohn’s Fingal’s Cave
metaphor analysis in art
music and art
music and media
music and performance
music and representation
music and screen media
music history
musical
Musical Iconography
musicology
North American Undergraduates
pearl
Pearl Earring
performance analysis techniques
performance studies
Program Music
songs
sound studies
symbolism
synaesthesia
UK Instance
Vice Versa
Video Art Music
Vincent Van Gogh
visual culture
visual semiotics
with

Product details

  • ISBN 9780415629256
  • Weight: 924g
  • Dimensions: 174 x 246mm
  • Publication Date: 18 Sep 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Description

As a coherent field of research, the field of music and visual culture has seen rapid growth in recent years. The Routledge Companion to Music and Visual Culture serves as the first comprehensive reference on the intersection between these two areas of study, an ideal introduction for those coming to the field for the first time as well as a useful source of information for seasoned researchers. This collection of over forty entries, from musicologists and art historians from the US and UK, delineate the key concepts in the field in five parts:

  • Starting Points
  • Methodologies
  • Reciprocation – the musical in visual culture and the visual in musical culture
  • Convergence –in metaphor, in conception, and in practice
  • Hybrid Arts

This reference work speaks to the important questions concerning this burgeoning field of research –what are the established approaches to studying musical and visual cultures side by side? What have been the major points of contact between these two areas and what kind of questions can this interdisciplinary research address moving forward? The Routledge Companion to Music and Visual Culture is an indispensable guide for anyone interested in the field of music and visual culture.
About
Tim Shephard is a lecturer in Musicology at the University of Sheffield, and also a Visiting Research Fellow at the Centre for Music, Gender and Identity, University of Huddersfield. His research concerns music, identity, and visual culture at the courts of Renaissance Italy, and has appeared in several journals. Anne Leonard is a curator at the Smart Museum of Art and lecturer in the Department of Art History, University of Chicago. Her research on musical aspects of nineteenth-century art has appeared in articles, conference papers, and an exhibition catalogue, Looking and Listening in Nineteenth-Century France (2007).