Routledge Companion to Popular Music and Humor

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Abdel Fattah Al Sisi
Brown Eyed Handsome Man
Category=AV
Category=AVL
Category=AVLP
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Category=JBCT
comedic performance analysis
comedy
comedy in music
communication studies
Country Music
cultural studies
Dead Kennedys
El Vez
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eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
gender and sexuality in music
global music cultures
humor
humor in music
humor theory in popular music research
Incredible String Band
Kenneth Grahame
Kiwi Bloke
Kwaito Artists
Max Miller
media studies
Milk Man
musicology
Nicki Minaj
Novelty Songs
parody
parody in musical genres
Pop Stars
popular music studies
Purple People Eater
Repo Man
Rock Island Line
satire
satire in media studies
Spinal Tap
Summer Long
Tin Pan Alley
Tin Pan Alley Songs
UK Chart
UK Garage
White America
Young Man

Product details

  • ISBN 9780367729905
  • Weight: 453g
  • Dimensions: 178 x 254mm
  • Publication Date: 18 Dec 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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An essential part of human expression, humor plays a role in all forms of art, and humorous and comedic aspects have always been part of popular music. For the first time, The Routledge Companion to Popular Music and Humor draws together scholarship exploring how the element of humor interacts with the artistic and social aspects of the musical experience. Discussing humor in popular music across eras from Tin Pan Alley to the present, and examining the role of humor in different musical genres, case studies of artists, and media forms, this volume is a groundbreaking collection that provides a go-to reference for scholars in music, popular culture, and media studies.

While most scholars, when considering humor’s place in popular music, tend to focus on more "literate" forms, the contributors in this collection seek to fill in the gaps by surveying all kinds of humor, critical theories, and popular musics. Across eight parts, the essays in this collection explore topics both highbrow and low, including:



  • Parody and satire


  • Humor in rock and global music


  • Gender, sexuality, and politics


  • The music mockumentary


  • Novelty songs


Humor has long been a fixture of the popular music soundscape, whether on stage, in performance, on record, or on film. The Routledge Companion to Popular Music and Humor covers it all, presenting itself as the most comprehensive treatment of the topic to date.

Thomas M. Kitts is Professor of English at St. John's University, NY, USA, author of a recent book on John Fogerty, and coeditor of Popular Music and Society and Rock Music Studies.

Nick Baxter-Moore is Associate Professor in the Department of Communication, Popular Culture and Film, Brock University, St Catharine’s, Ontario, Canada.